Cordileone applies methods of cultural and intellectual history for readings of Riegl's texts. The result is a multi-layered philosophical, cultural and institutional history of this art historian's work of the fin-de-siècle that demonstrates his relationship to several of the significant actors in Vienna.
Cordileone applies methods of cultural and intellectual history for readings of Riegl's texts. The result is a multi-layered philosophical, cultural and institutional history of this art historian's work of the fin-de-siècle that demonstrates his relationship to several of the significant actors in Vienna.
Diana Reynolds Cordileone studied art history at the University of Erlangen-Nuremberg and completed her education at the University of California, San Diego. She is Professor of History at Point Loma Nazarene University, USA.
Inhaltsangabe
Contents: Introduction Part I Intellectual Foundations (1875-1885): Nietzsche as educator Positivism as patriotism in Vienna Manufacturing Austria. Part II Poetics and Politics of Art History (1885-1897): Stil-fragen, or, the multiple questions of style Patriotism, piety and patrimony The advantages and disadvantages of (art) history to life Framing Austrian modernities. Part III Transformations (1897-1902): Riegl as educator Affinity, attentiveness, and the historical Dionysian A museum of his own Dissolution as salvation Conclusion: the Nietzschean palimpsest Bibliography Index.
Contents: Introduction Part I Intellectual Foundations (1875-1885): Nietzsche as educator Positivism as patriotism in Vienna Manufacturing Austria. Part II Poetics and Politics of Art History (1885-1897): Stil-fragen, or, the multiple questions of style Patriotism, piety and patrimony The advantages and disadvantages of (art) history to life Framing Austrian modernities. Part III Transformations (1897-1902): Riegl as educator Affinity, attentiveness, and the historical Dionysian A museum of his own Dissolution as salvation Conclusion: the Nietzschean palimpsest Bibliography Index.
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