Alternative Shakespeare Auditions for Women
Herausgeber: Dunmore, Simon
Alternative Shakespeare Auditions for Women
Herausgeber: Dunmore, Simon
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Auditioners often complain of seeing the same speeches over and over again. This book brings together 50 speeches for women from Shakespeare plays frequently ignored such as Coriolanus", "Pericles" and "Love's Labours Lost". It also includes good, but over-looked speeches from the more popular plays such as Diana from "All's Well That Ends Well", Perdita from "The Winter's Tale" and Hero from "Much Ado About Nothing". Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases and references - all written from the viewpoint of the auditioning actor."…mehr
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Auditioners often complain of seeing the same speeches over and over again. This book brings together 50 speeches for women from Shakespeare plays frequently ignored such as Coriolanus", "Pericles" and "Love's Labours Lost". It also includes good, but over-looked speeches from the more popular plays such as Diana from "All's Well That Ends Well", Perdita from "The Winter's Tale" and Hero from "Much Ado About Nothing". Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases and references - all written from the viewpoint of the auditioning actor."
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Academic
- Seitenzahl: 130
- Erscheinungstermin: 5. September 2000
- Englisch
- Abmessung: 216mm x 140mm x 8mm
- Gewicht: 172g
- ISBN-13: 9780713647587
- ISBN-10: 0713647582
- Artikelnr.: 22146740
- Verlag: Bloomsbury Academic
- Seitenzahl: 130
- Erscheinungstermin: 5. September 2000
- Englisch
- Abmessung: 216mm x 140mm x 8mm
- Gewicht: 172g
- ISBN-13: 9780713647587
- ISBN-10: 0713647582
- Artikelnr.: 22146740
Introduction
Female Characters and Speeches Too Often Used for Audition
Shakespeare - the Actors' Writer
The Lives and Times of Shakespeare's People
Auditioning Shakespeare
The Speeches:
-Countess from All's Well that Ends Well (Act 1 Sc. 3)
- Diana from All's Well that Ends Well (Act 4, Sc. 2)
-Cleopatra from Antony and Cleopatra (Act 1, Sc. 3)
- Cleopatra from Anthony and Cleopatra (Act 1, Sc. 5)
-Courtesan from The Comedy of Errors (Act 4, Sc. 3)
-Abbess from The Comedy of Errors (Act 5, Sc. 1)
-Volumnia from Coriolanus (Act 1, Sc. 3)
-Valeria from Coriolanus (Act 1, Sc. 3)
-Queen from Cymbeline (Act 1, Sc. 3)
-Doll Tearsheet frmo Henry IV, part 2 (Act 2, Sc. 4)
-Countess from Henry VI, part 1 (Act 2, Sc. 3)
-Duchess of Gloucester from Henry VI, part 2 (Act 1, Sc. 2)
-Lady Gray from Henry IV, part 3 (Act 4, Sc. 4)
-Anne from Henry VIII (Act 2, Sc. 3)
-Queen Katherine from Henry VIII (Act 3, Sc. 1)
-Queen Katherine from Henry VIII (Act 4, Sc. 2)
-Calphurnia from Julius Caesar (Act 2, Sc. 2)
-Cordelia from King Lear (Act 4, Sc. 7)
-Mote from Love's Labour's Lost (Act 3, Sc. 1)
-Princess from Love's Labour's Lost (Act 5, Sc. 2)
-Rosaline from Love's Labour's Lost (Act 5, Sc. 2)
-Mariana from Measure for Measure (Act 5, Sc. 1)
-Jessica from The Merchant of Venice (Act 2, Sc. 6)
-Mistress Ford from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Page from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Quickly from The Merry Wives of Windsor (Act 5, Sc. 5)
-Hero from Much Ado About Nothing (Act 3, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 3)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Queen Isabel from Richard II (Act 5, Sc. 1)
-Duchess of York from Richard II (Act 5, Sc. 2)
-Duchess of York, from Richard II (Act 5, Sc. 3)
-Queen Elizabeth from Richard III (Act 4, Sc. 4)
-Duchess of York from Richard III (Act 4, Sc.4)
-Lady Capulet from Romeo and Juliet (Act 1, Sc. 3)
-Ariel from The Tempest (Act 1, Sc. 2)
-Tamora from Titus Andronicus (Act 1, Sc. 1)
-Lavinia from Titus Andronicus (Act 2, Sc. 3)
-Tamora from Titus Andronicus (Act 4, Sc. 4)
-Cressida from Troilus and Cressida (Act 1, Sc. 2)
-Cressida from Troilus and Cressida (Act 3, Sc. 2)
-Silvia from The Two Gentlemen of Verona (Act 4, Sc. 3)
-Silvia from The Two Gentlemen of Verona (Act 5, Sc. 4)
-First Queen from The Two Noble Kinsmen (Act 1, Sc. 1)
-Emilia from The Two Noble Kinsmen (Act 1, Sc. 3)
-Emilia from The Winter's Tale (Act 2, Sc.2)
-Perdita from The Winter's Tale (Act 4, Sc. 4)
Bibliography
Female Characters and Speeches Too Often Used for Audition
Shakespeare - the Actors' Writer
The Lives and Times of Shakespeare's People
Auditioning Shakespeare
The Speeches:
-Countess from All's Well that Ends Well (Act 1 Sc. 3)
- Diana from All's Well that Ends Well (Act 4, Sc. 2)
-Cleopatra from Antony and Cleopatra (Act 1, Sc. 3)
- Cleopatra from Anthony and Cleopatra (Act 1, Sc. 5)
-Courtesan from The Comedy of Errors (Act 4, Sc. 3)
-Abbess from The Comedy of Errors (Act 5, Sc. 1)
-Volumnia from Coriolanus (Act 1, Sc. 3)
-Valeria from Coriolanus (Act 1, Sc. 3)
-Queen from Cymbeline (Act 1, Sc. 3)
-Doll Tearsheet frmo Henry IV, part 2 (Act 2, Sc. 4)
-Countess from Henry VI, part 1 (Act 2, Sc. 3)
-Duchess of Gloucester from Henry VI, part 2 (Act 1, Sc. 2)
-Lady Gray from Henry IV, part 3 (Act 4, Sc. 4)
-Anne from Henry VIII (Act 2, Sc. 3)
-Queen Katherine from Henry VIII (Act 3, Sc. 1)
-Queen Katherine from Henry VIII (Act 4, Sc. 2)
-Calphurnia from Julius Caesar (Act 2, Sc. 2)
-Cordelia from King Lear (Act 4, Sc. 7)
-Mote from Love's Labour's Lost (Act 3, Sc. 1)
-Princess from Love's Labour's Lost (Act 5, Sc. 2)
-Rosaline from Love's Labour's Lost (Act 5, Sc. 2)
-Mariana from Measure for Measure (Act 5, Sc. 1)
-Jessica from The Merchant of Venice (Act 2, Sc. 6)
-Mistress Ford from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Page from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Quickly from The Merry Wives of Windsor (Act 5, Sc. 5)
-Hero from Much Ado About Nothing (Act 3, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 3)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Queen Isabel from Richard II (Act 5, Sc. 1)
-Duchess of York from Richard II (Act 5, Sc. 2)
-Duchess of York, from Richard II (Act 5, Sc. 3)
-Queen Elizabeth from Richard III (Act 4, Sc. 4)
-Duchess of York from Richard III (Act 4, Sc.4)
-Lady Capulet from Romeo and Juliet (Act 1, Sc. 3)
-Ariel from The Tempest (Act 1, Sc. 2)
-Tamora from Titus Andronicus (Act 1, Sc. 1)
-Lavinia from Titus Andronicus (Act 2, Sc. 3)
-Tamora from Titus Andronicus (Act 4, Sc. 4)
-Cressida from Troilus and Cressida (Act 1, Sc. 2)
-Cressida from Troilus and Cressida (Act 3, Sc. 2)
-Silvia from The Two Gentlemen of Verona (Act 4, Sc. 3)
-Silvia from The Two Gentlemen of Verona (Act 5, Sc. 4)
-First Queen from The Two Noble Kinsmen (Act 1, Sc. 1)
-Emilia from The Two Noble Kinsmen (Act 1, Sc. 3)
-Emilia from The Winter's Tale (Act 2, Sc.2)
-Perdita from The Winter's Tale (Act 4, Sc. 4)
Bibliography
Introduction
Female Characters and Speeches Too Often Used for Audition
Shakespeare - the Actors' Writer
The Lives and Times of Shakespeare's People
Auditioning Shakespeare
The Speeches:
-Countess from All's Well that Ends Well (Act 1 Sc. 3)
- Diana from All's Well that Ends Well (Act 4, Sc. 2)
-Cleopatra from Antony and Cleopatra (Act 1, Sc. 3)
- Cleopatra from Anthony and Cleopatra (Act 1, Sc. 5)
-Courtesan from The Comedy of Errors (Act 4, Sc. 3)
-Abbess from The Comedy of Errors (Act 5, Sc. 1)
-Volumnia from Coriolanus (Act 1, Sc. 3)
-Valeria from Coriolanus (Act 1, Sc. 3)
-Queen from Cymbeline (Act 1, Sc. 3)
-Doll Tearsheet frmo Henry IV, part 2 (Act 2, Sc. 4)
-Countess from Henry VI, part 1 (Act 2, Sc. 3)
-Duchess of Gloucester from Henry VI, part 2 (Act 1, Sc. 2)
-Lady Gray from Henry IV, part 3 (Act 4, Sc. 4)
-Anne from Henry VIII (Act 2, Sc. 3)
-Queen Katherine from Henry VIII (Act 3, Sc. 1)
-Queen Katherine from Henry VIII (Act 4, Sc. 2)
-Calphurnia from Julius Caesar (Act 2, Sc. 2)
-Cordelia from King Lear (Act 4, Sc. 7)
-Mote from Love's Labour's Lost (Act 3, Sc. 1)
-Princess from Love's Labour's Lost (Act 5, Sc. 2)
-Rosaline from Love's Labour's Lost (Act 5, Sc. 2)
-Mariana from Measure for Measure (Act 5, Sc. 1)
-Jessica from The Merchant of Venice (Act 2, Sc. 6)
-Mistress Ford from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Page from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Quickly from The Merry Wives of Windsor (Act 5, Sc. 5)
-Hero from Much Ado About Nothing (Act 3, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 3)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Queen Isabel from Richard II (Act 5, Sc. 1)
-Duchess of York from Richard II (Act 5, Sc. 2)
-Duchess of York, from Richard II (Act 5, Sc. 3)
-Queen Elizabeth from Richard III (Act 4, Sc. 4)
-Duchess of York from Richard III (Act 4, Sc.4)
-Lady Capulet from Romeo and Juliet (Act 1, Sc. 3)
-Ariel from The Tempest (Act 1, Sc. 2)
-Tamora from Titus Andronicus (Act 1, Sc. 1)
-Lavinia from Titus Andronicus (Act 2, Sc. 3)
-Tamora from Titus Andronicus (Act 4, Sc. 4)
-Cressida from Troilus and Cressida (Act 1, Sc. 2)
-Cressida from Troilus and Cressida (Act 3, Sc. 2)
-Silvia from The Two Gentlemen of Verona (Act 4, Sc. 3)
-Silvia from The Two Gentlemen of Verona (Act 5, Sc. 4)
-First Queen from The Two Noble Kinsmen (Act 1, Sc. 1)
-Emilia from The Two Noble Kinsmen (Act 1, Sc. 3)
-Emilia from The Winter's Tale (Act 2, Sc.2)
-Perdita from The Winter's Tale (Act 4, Sc. 4)
Bibliography
Female Characters and Speeches Too Often Used for Audition
Shakespeare - the Actors' Writer
The Lives and Times of Shakespeare's People
Auditioning Shakespeare
The Speeches:
-Countess from All's Well that Ends Well (Act 1 Sc. 3)
- Diana from All's Well that Ends Well (Act 4, Sc. 2)
-Cleopatra from Antony and Cleopatra (Act 1, Sc. 3)
- Cleopatra from Anthony and Cleopatra (Act 1, Sc. 5)
-Courtesan from The Comedy of Errors (Act 4, Sc. 3)
-Abbess from The Comedy of Errors (Act 5, Sc. 1)
-Volumnia from Coriolanus (Act 1, Sc. 3)
-Valeria from Coriolanus (Act 1, Sc. 3)
-Queen from Cymbeline (Act 1, Sc. 3)
-Doll Tearsheet frmo Henry IV, part 2 (Act 2, Sc. 4)
-Countess from Henry VI, part 1 (Act 2, Sc. 3)
-Duchess of Gloucester from Henry VI, part 2 (Act 1, Sc. 2)
-Lady Gray from Henry IV, part 3 (Act 4, Sc. 4)
-Anne from Henry VIII (Act 2, Sc. 3)
-Queen Katherine from Henry VIII (Act 3, Sc. 1)
-Queen Katherine from Henry VIII (Act 4, Sc. 2)
-Calphurnia from Julius Caesar (Act 2, Sc. 2)
-Cordelia from King Lear (Act 4, Sc. 7)
-Mote from Love's Labour's Lost (Act 3, Sc. 1)
-Princess from Love's Labour's Lost (Act 5, Sc. 2)
-Rosaline from Love's Labour's Lost (Act 5, Sc. 2)
-Mariana from Measure for Measure (Act 5, Sc. 1)
-Jessica from The Merchant of Venice (Act 2, Sc. 6)
-Mistress Ford from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Page from The Merry Wives of Windsor (Act 2, Sc. 1)
-Mistress Quickly from The Merry Wives of Windsor (Act 5, Sc. 5)
-Hero from Much Ado About Nothing (Act 3, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 1)
-Dionyza from Pericles (Act 4, Sc. 3)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Duchess of Gloucester from Richard II (Act 1, Sc. 2)
-Queen Isabel from Richard II (Act 5, Sc. 1)
-Duchess of York from Richard II (Act 5, Sc. 2)
-Duchess of York, from Richard II (Act 5, Sc. 3)
-Queen Elizabeth from Richard III (Act 4, Sc. 4)
-Duchess of York from Richard III (Act 4, Sc.4)
-Lady Capulet from Romeo and Juliet (Act 1, Sc. 3)
-Ariel from The Tempest (Act 1, Sc. 2)
-Tamora from Titus Andronicus (Act 1, Sc. 1)
-Lavinia from Titus Andronicus (Act 2, Sc. 3)
-Tamora from Titus Andronicus (Act 4, Sc. 4)
-Cressida from Troilus and Cressida (Act 1, Sc. 2)
-Cressida from Troilus and Cressida (Act 3, Sc. 2)
-Silvia from The Two Gentlemen of Verona (Act 4, Sc. 3)
-Silvia from The Two Gentlemen of Verona (Act 5, Sc. 4)
-First Queen from The Two Noble Kinsmen (Act 1, Sc. 1)
-Emilia from The Two Noble Kinsmen (Act 1, Sc. 3)
-Emilia from The Winter's Tale (Act 2, Sc.2)
-Perdita from The Winter's Tale (Act 4, Sc. 4)
Bibliography