The Fall were one of the most influential bands to emerge in the British post-punk scene. Drawing upon a wide range of academic disciplines, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies, this book investigates The Fallâ s significant contribution to music.
The Fall were one of the most influential bands to emerge in the British post-punk scene. Drawing upon a wide range of academic disciplines, including ethnomusicology, sociology, literary theory, linguistics, journalism, cultural studies, and film and media studies, this book investigates The Fallâ s significant contribution to music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Popular Musics Matter: Social, Political and Cultural Interventions
Edited by Eoin Devereux and Martin J. Power - Foreword by Gavin Friday
Inhaltsangabe
Foreword: (Gavin Friday) Introduction: Mr Sociological Memory Man (Martin Power and Eoin Devereux) Chapter 1: Spoiling all the Paintwork: Mark E. Smith, Art Renegade (K. A. Laity) Chapter 2: Suzanne Smith in Conversation with Eoin Devereux Chapter 3: 'A letter so simple, yet disgusting in a stroke': writing-out the (typo) graphic strangeness of The Fall (Paul Wilson) Chapter 4: Psykick Dancehall - the paranormal world of Mark E. Smith and The Fall (Ben Lawley) Chapter 5: 'You can leave me on the shelf': The death of The Fall and Mark E. Smith (Martin Myers) Chapter 6: Dead Beat Descendant: Mark E Smith's Life, Death and Mourning as a Cult Hero (John Fleming) Chapter 7: "What's a computer?" Corpus linguistic software v the complete Fall lyrics. (Matt Davies) Chapter 8: Searching for the right word or phrase that would put a chill up the spine... Investigating the lyrics of Mark E. Smith using thematic and corpus-based discourse analyses. (Elaine Vaughan, Brian Clancy and Eoin Devereux) Chapter 9: I Am Damo Suzuki Lost In Music. (Mike Glennon) Chapter 10: Remembrancer/Rememorator/Amorator: Oblique Tactics and Clear Intentions in The Fall's The Remainderer EP. (Samuel Flannagan) Chapter 11: Literary Perversion. (Kieran Cashel) Chapter 12: The Fall In Ireland (Michael Mary Murphy) Chapter 13: Montagu Lomax and The Fall: 'The Madness in My Area' (David Meagher and John McFarland)
Foreword: (Gavin Friday) Introduction: Mr Sociological Memory Man (Martin Power and Eoin Devereux) Chapter 1: Spoiling all the Paintwork: Mark E. Smith, Art Renegade (K. A. Laity) Chapter 2: Suzanne Smith in Conversation with Eoin Devereux Chapter 3: 'A letter so simple, yet disgusting in a stroke': writing-out the (typo) graphic strangeness of The Fall (Paul Wilson) Chapter 4: Psykick Dancehall - the paranormal world of Mark E. Smith and The Fall (Ben Lawley) Chapter 5: 'You can leave me on the shelf': The death of The Fall and Mark E. Smith (Martin Myers) Chapter 6: Dead Beat Descendant: Mark E Smith's Life, Death and Mourning as a Cult Hero (John Fleming) Chapter 7: "What's a computer?" Corpus linguistic software v the complete Fall lyrics. (Matt Davies) Chapter 8: Searching for the right word or phrase that would put a chill up the spine... Investigating the lyrics of Mark E. Smith using thematic and corpus-based discourse analyses. (Elaine Vaughan, Brian Clancy and Eoin Devereux) Chapter 9: I Am Damo Suzuki Lost In Music. (Mike Glennon) Chapter 10: Remembrancer/Rememorator/Amorator: Oblique Tactics and Clear Intentions in The Fall's The Remainderer EP. (Samuel Flannagan) Chapter 11: Literary Perversion. (Kieran Cashel) Chapter 12: The Fall In Ireland (Michael Mary Murphy) Chapter 13: Montagu Lomax and The Fall: 'The Madness in My Area' (David Meagher and John McFarland)
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826