The philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience.
The philosopher, visual artist, and dancer Erin Manning explores the concept of the "more than human" in the context of movement, perception, and experience.
Erin Manning is University Research Chair in Philosophy and Relational Art and Associate Professor in the Faculty of Fine Arts at Concordia University. She is the author of Relationscapes: Movement, Art, Philosophy and Politics of Touch: Sense, Movement, Sovereignty and coauthor, with Brian Massumi, of Thought in the Act: Passages in the Ecology of Experience (forthcoming).
Inhaltsangabe
Prelude / Brian Massumi ix Acknowledgments xxv 1. Toward a Leaky Sense of Self 1 Interlude. When Movement Dances 13 2. Always More Than One 16 Interlude. Dancing the Virtual 30 3. Waltzing the Limit 41 4. Propositions for the Verge 74 Interlude. What Else? 91 5. Choreography as Mobile Architecture 99 Interlude. Fiery, Luminous, Scary 124 6. The Dance of Attention 133 7. An Ethics of Language in the Making 149 Interlude. Love the Anonymous Elements 172 8. The Shape of Enthusiasm 184 Coda. Another Regard 204 Notes 223 Bibliography 257 Index 267
Prelude / Brian Massumi ix Acknowledgments xxv 1. Toward a Leaky Sense of Self 1 Interlude. When Movement Dances 13 2. Always More Than One 16 Interlude. Dancing the Virtual 30 3. Waltzing the Limit 41 4. Propositions for the Verge 74 Interlude. What Else? 91 5. Choreography as Mobile Architecture 99 Interlude. Fiery, Luminous, Scary 124 6. The Dance of Attention 133 7. An Ethics of Language in the Making 149 Interlude. Love the Anonymous Elements 172 8. The Shape of Enthusiasm 184 Coda. Another Regard 204 Notes 223 Bibliography 257 Index 267
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