Annamaria Motrescu-Mayes (UK University of Cambridge), Susan Aasman
Amateur Media and Participatory Cultures
Film, Video, and Digital Media
Annamaria Motrescu-Mayes (UK University of Cambridge), Susan Aasman
Amateur Media and Participatory Cultures
Film, Video, and Digital Media
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Amateur Media and Participatory Cultures aims to sketch the boundary line between today's amateur media practice and the cannons of professional media and film practice.
Andere Kunden interessierten sich auch für
- The Participatory Cultures Handbook68,99 €
- Kristen J. WarnerThe Cultural Politics of Colorblind TV Casting65,99 €
- Michael D'Oliveiro (HOOQ Digital)The Streaming Media Guide47,99 €
- Jamie A. LeeProducing the Archival Body37,99 €
- Barry Braverman (Veteran Director of PhotographyVideo Shooter58,99 €
- Queer Sinophone Cultures203,99 €
- Ole J. Mjos (Norway University of Bergen)Music, Social Media and Global Mobility68,99 €
-
-
-
Amateur Media and Participatory Cultures aims to sketch the boundary line between today's amateur media practice and the cannons of professional media and film practice.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 164
- Erscheinungstermin: 31. Januar 2019
- Englisch
- Abmessung: 234mm x 150mm x 15mm
- Gewicht: 280g
- ISBN-13: 9781138226159
- ISBN-10: 1138226157
- Artikelnr.: 53509694
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 164
- Erscheinungstermin: 31. Januar 2019
- Englisch
- Abmessung: 234mm x 150mm x 15mm
- Gewicht: 280g
- ISBN-13: 9781138226159
- ISBN-10: 1138226157
- Artikelnr.: 53509694
Annamaria Motrescu-Mayes is an Affiliated Lecturer in new and digital media at the Department of Social Anthropology, University of Cambridge; Fellow and Tutor at Clare Hall; and a member of the Cambridge Digital Humanities Network and the Centre for the Study of Global Human Movement. She is the author of Visual Histories of South Asia (co-edited with Marcus Banks, 2017) and of British Women Amateur Filmmakers: National Memories and Global Identities (with Heather Norris Nicholson, 2018), and has written extensively on the theme of colonial amateur film practice and imperial studies. Motrescu-Mayes is also the founder of the Amateur Cinema Studies Network. Susan Aasman is Associate Professor at the Media Studies Department and Director of the Centre for Digital Humanities at the University of Groningen. Her field of expertise is in media history, with a particular interest in amateur film and documentaries, digital culture and digital archives, web history and digital history. She was a senior researcher in the research project 'Changing Platforms of Ritualised Memory Practices: The Cultural Dynamics of Home Movie Making' (2012-2016). Together with Andreas Fickers and Jo Wachelder, Susan has co-edited Materializing Memories: Dispositifs, Generations, Amateurs (2018).
Introduction
Chapter 1. From marginal to mainstream: a history of amateur media
Chapter 2. Everyday complexities and contradictions in contemporary amateur
media
Chapter 3. The non-ephemeral amateur media and constructions of self
Chapter 4. The politics of ethical representation in amateur media
Chapter 5. Memory and amateur media's visual counter-histories
Chapter 6. Lost and found: amateur media in the archive
Afterword
Chapter 1. From marginal to mainstream: a history of amateur media
Chapter 2. Everyday complexities and contradictions in contemporary amateur
media
Chapter 3. The non-ephemeral amateur media and constructions of self
Chapter 4. The politics of ethical representation in amateur media
Chapter 5. Memory and amateur media's visual counter-histories
Chapter 6. Lost and found: amateur media in the archive
Afterword
Introduction
Chapter 1. From marginal to mainstream: a history of amateur media
Chapter 2. Everyday complexities and contradictions in contemporary amateur
media
Chapter 3. The non-ephemeral amateur media and constructions of self
Chapter 4. The politics of ethical representation in amateur media
Chapter 5. Memory and amateur media's visual counter-histories
Chapter 6. Lost and found: amateur media in the archive
Afterword
Chapter 1. From marginal to mainstream: a history of amateur media
Chapter 2. Everyday complexities and contradictions in contemporary amateur
media
Chapter 3. The non-ephemeral amateur media and constructions of self
Chapter 4. The politics of ethical representation in amateur media
Chapter 5. Memory and amateur media's visual counter-histories
Chapter 6. Lost and found: amateur media in the archive
Afterword