ambivalent work_s
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ambivalent work_s presents case studies, close- and against-the-grain readings of art works across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. The book highlights queerness in visual and material culture with regard to the specific conditions of the making and experience of art…mehr

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Produktbeschreibung
ambivalent work_s presents case studies, close- and against-the-grain readings of art works across different media and geographies, conversations on the epistemological and methodological frameworks of a queerly-informed art history, and artistic contributions. Together they revisit central aspects such as visibility, failure, transgression and subversion in recent art production while at the same time providing valuable links for transhistorical explorations. The book highlights queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts. Making a case for polyvalence and simultaneity, ambivalent work_s demonstrates how intersectional approaches extend the examination of queer capacities in art and art history beyond issues related solely to sexuality and gender. Scholarly and artistic articulations equally push the boundaries of the academic field of art history while giving shape to an (im)possible project of a "queer art history."

With contributions by Daniel Berndt, Jennifer Doyle, Aleksandra Gajowy, David J. Getsy, Susanne Huber, Katrin Köppert, Christian Liclair, Renate Lorenz, Fiona McGovern, Diyi Mergenthaler, Lucas Odahara, Rena Onat, Barbara Paul, and Ashkan Sepahvand.
Autorenporträt
Daniel Berndt is an art historian and currently teaches at the Institute of Art History, University of Zurich. His book Wiederholung als Widerstand? (Repetition as Resistance?), on the artistic (re-) contextualization of historical photographs in relation to the history of Palestine, was published in 2018 by transcript Verlag.

Susanne Huber works as a researcher on the history and theory of art with a focus on feminist, queer, and postcolonial topics at the University of Bremen. She is coeditor of the book series Oyster: Feminist and Queer Approaches to Arts, Cultures, and Genders; her book Vom Konsum des Begehrens. Appropriation Art, Sex Wars und ein postmoderner Bilderstreit was published by De Gruyter in 2022.