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Edited by Mandy Merck, the collection of new critical essays examines some of the hundreds of US films that announce themselves as titularly "American", and contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.

Produktbeschreibung
Edited by Mandy Merck, the collection of new critical essays examines some of the hundreds of US films that announce themselves as titularly "American", and contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.
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Autorenporträt
Mandy Merck is Professor of Media Arts at Royal Holloway, University of London. She is the author of Perversions: Deviant Readings (1993), In Your Face: Nine Sexual Studies (2000) and Hollywood's American Tragedies (forthcoming 2007). She is editor of After Diana (1998) and co-editor of Coming Out of Feminism (1998) and The Art of Tracey Emin (2002).