This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity.
This book challenges existing notions of what is "American" and/or "Asian" art, moving beyond the identity issues that have dominated art-world conversations of the 1980s and the 1990s and aligning with new trends and issues in contemporary art today, e.g. the Global South, labor, environment, and gender identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michelle Lim is Assistant Professor at the College of Humanities, Arts and Social Sciences at Nanyang Technological University, Singapore. Kyunghee Pyun is Associate Professor of History of Art at the State University of New York, Fashion Institute of Technology.
Inhaltsangabe
1. American Art as Cultural Hegemony: 1945-1989 Kyunghee Pyun PART I: Post-War American Art in Postcolonial Asia 2. Leaving Yourself Behind: Bourke-White, Zarina, and the Partition of British India Asma Naeem 3. What Can Ad Reinhardt Teach Us About Asian Art? Michael J. Hatch 4. Painting as Information: The Reception of Abstract Expressionism in Japan Kenji Kajiya 5. Minimalism: A View from Singapore Russell Storer PART II: American Artists in Asia Today 6. The (im)Possibilities of Cultural Collectivity: American Artist in Setouchi James Jack 7. Rare Earth Image Bank: Extraction Geology and Stock Photos, from Wyoming to Inner Mongolia David Kelley 8. Interstates and Inner States: Howard Henry Chen Vi t Lê Part III: Locating Asia in American Art 9. Mapping Lee Mingwei's Transnational Art Practice Leslie Ureña 10. American War in Vi t Nam: We Are Besides Ourselves H ng-Ân Tr ng 11. America in China: Cross-cultural Confluences in Contemporary American Art Michelle Yun Mapplethorpe PART IV: Connecting Asia and the Americas in the Global South 12. Buying and Selling American Taste: Pop Art and the Inscription of Violence as Artistic Strategy in Colombia Jennifer Burris 13. Considering Dhaka Art Summit from a CHamoru Perspective: A Walk Through its Institutional History Diana Campbell 14. The Artpologists: Rethinking Food Justice in Central Asia Zhanara Nauruzbayeva 15. Points of Intersection: Realigning Future Art Histories Michelle Lim
1. American Art as Cultural Hegemony: 1945-1989 Kyunghee Pyun PART I: Post-War American Art in Postcolonial Asia 2. Leaving Yourself Behind: Bourke-White, Zarina, and the Partition of British India Asma Naeem 3. What Can Ad Reinhardt Teach Us About Asian Art? Michael J. Hatch 4. Painting as Information: The Reception of Abstract Expressionism in Japan Kenji Kajiya 5. Minimalism: A View from Singapore Russell Storer PART II: American Artists in Asia Today 6. The (im)Possibilities of Cultural Collectivity: American Artist in Setouchi James Jack 7. Rare Earth Image Bank: Extraction Geology and Stock Photos, from Wyoming to Inner Mongolia David Kelley 8. Interstates and Inner States: Howard Henry Chen Vi t Lê Part III: Locating Asia in American Art 9. Mapping Lee Mingwei's Transnational Art Practice Leslie Ureña 10. American War in Vi t Nam: We Are Besides Ourselves H ng-Ân Tr ng 11. America in China: Cross-cultural Confluences in Contemporary American Art Michelle Yun Mapplethorpe PART IV: Connecting Asia and the Americas in the Global South 12. Buying and Selling American Taste: Pop Art and the Inscription of Violence as Artistic Strategy in Colombia Jennifer Burris 13. Considering Dhaka Art Summit from a CHamoru Perspective: A Walk Through its Institutional History Diana Campbell 14. The Artpologists: Rethinking Food Justice in Central Asia Zhanara Nauruzbayeva 15. Points of Intersection: Realigning Future Art Histories Michelle Lim
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