American Artists in Postwar Rome - Miller, Peter Benson
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"Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in following World War Two. It presents a case-study based investigation into the reciprocal relationship between American modernist artists and Italian artists, revealing how these artists perceived Rome as an alternative to New York, attracting the likes of canonical figures like Lee Bontecou, Philip Guston and Robert Rauschenberg, alongside less well-known artists, such as Barbara Chase-Riboud, William Congdon, and Claire Falkenstein,…mehr

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Produktbeschreibung
"Drawing on unpublished archival sources, this book reconstitutes the experiences of a wide range of American artists, critics, and writers working in Rome in following World War Two. It presents a case-study based investigation into the reciprocal relationship between American modernist artists and Italian artists, revealing how these artists perceived Rome as an alternative to New York, attracting the likes of canonical figures like Lee Bontecou, Philip Guston and Robert Rauschenberg, alongside less well-known artists, such as Barbara Chase-Riboud, William Congdon, and Claire Falkenstein, among many others. It also establishes the entangled social networks, galleries and institutions sustaining their work and providing entrâee into local artistic circles"--
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Autorenporträt
Peter Benson Miller is an independent art historian and curator based in Rome, Italy. From 2013 to 2019 he was the Andrew Heiskell Arts Director at the American Academy in Rome. His exhibitions have featured the work of Yto Barrada, Paolo Gioli, Charles Ray, Paul Thek, and Cy Twombly. He is the editor of Philip Guston: Roma (2010), and Go Figure! New Perspectives on Guston (2015).