American Avant-Garde Cinema's Philosophy of the In-Between - Sheehan, Rebecca A
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Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this crucial question for the emergent field of film philosophy, American Avant-Garde Cinema's Philosophy of the In-Between argues that the films of the American avant-garde do in fact do philosophy and illuminates the ethical stakes of their aesthetic interventions. Author Rebecca A. Sheehan contends that American avant-garde cinema's characteristic self-reflexivity is an interrogation of the modes and stakes of our engagement with the world on and beyond the screen.

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Produktbeschreibung
Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this crucial question for the emergent field of film philosophy, American Avant-Garde Cinema's Philosophy of the In-Between argues that the films of the American avant-garde do in fact do philosophy and illuminates the ethical stakes of their aesthetic interventions. Author Rebecca A. Sheehan contends that American avant-garde cinema's characteristic self-reflexivity is an interrogation of the modes and stakes of our engagement with the world on and beyond the screen.
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Autorenporträt
Rebecca A. Sheehan is Associate Professor of Cinema and Television Arts at California State University, Fullerton. She received her Ph.D. in Comparative Literature from University of Pennsylvania and has been a Visiting Assistant Professor of English at Haverford College, and a Visiting Associate Professor of Visual and Environmental Studies at Harvard University. She is the co-editor of Border Cinema: Reimagining Identity Through Aesthetics (2019). Her work on topics ranging from experimental cinema, sculpture and cinema, epistolary cinema, the biopic and border cinema has appeared in edited book collections and various journals including Discourse, Screen, and Screening the Past.