Charles R. Acland charts the origins, impact, and dynamics of the blockbuster, showing how it became a complex economic and cultural machine designed to advance popular support for technological advances.
Charles R. Acland charts the origins, impact, and dynamics of the blockbuster, showing how it became a complex economic and cultural machine designed to advance popular support for technological advances.
Charles R. Acland is Distinguished University Research Professor of Communication Studies at Concordia University, Montreal. He is the author of Swift Viewing: The Popular Life of Subliminal Influence and Screen Traffic: Movies, Multiplexes, and Global Culture, and coeditor of Useful Cinema, all also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Part I. The Spectacle Industry 1. Blockbuster Ballyhoo 3 2. Industrial Regimes of Entertainment 35 Part II. The Rise of the Blockbuster 3. Delivering Blockbusters 87 4. The Business of Big 124 5. Hollywood's Return 160 6. Cosmopolitan Artlessness 191 Part III. The Technological Sublime of Entertainment Everywhere 7. The End of James Cameron's Quiet Years 233 8. The Technological Heart of Movie Culture 266 Epilogue. Exhausted Entertainment 296 Notes 305 Filmography 337 Bibliography 347 Index
Acknowledgments ix Part I. The Spectacle Industry 1. Blockbuster Ballyhoo 3 2. Industrial Regimes of Entertainment 35 Part II. The Rise of the Blockbuster 3. Delivering Blockbusters 87 4. The Business of Big 124 5. Hollywood's Return 160 6. Cosmopolitan Artlessness 191 Part III. The Technological Sublime of Entertainment Everywhere 7. The End of James Cameron's Quiet Years 233 8. The Technological Heart of Movie Culture 266 Epilogue. Exhausted Entertainment 296 Notes 305 Filmography 337 Bibliography 347 Index
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