Written in an engaging narrative style, this text provides a thorough overview of the fascinating intersection of economics, culture, artistry and technology that has defined American film from its beginnings. The Second Edition features a NEW four-colour design, hundreds of new images, greater emphasis on film analysis, increased coverage of women and minority filmmakers and an epilogue that speculates on the future of film.
Written in an engaging narrative style, this text provides a thorough overview of the fascinating intersection of economics, culture, artistry and technology that has defined American film from its beginnings. The Second Edition features a NEW four-colour design, hundreds of new images, greater emphasis on film analysis, increased coverage of women and minority filmmakers and an epilogue that speculates on the future of film.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jon Lewis (Ph.D., 1983 UCLA) is a Professor in the English department at Oregon State University, where he has taught film and cultural studies since 1983. He has published five books: The Road to Romance and Ruin: Teen Films and Youth Culture (Routledge, 1992); Whom God Wishes to Destroy . . . Francis Coppola and the New Hollywood (Duke UP, 1995); The New American Cinema (Duke UP, 1998); Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry (NYU Press, 2000); and The End of Cinema as We Know It: American Film in the Nineties (NYU Press, 2001). In the past two years, Professor Lewis has appeared in two theatrically released documentaries on film censorship: Inside Deep Throat (Fenton Baily, 2005) and This Film is Not Yet Rated (Kirby Dick, 2006). From 2002 to 2007, he was the Editor of Cinema Journal.
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