American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers from the late nineteenth century to modern times.
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers from the late nineteenth century to modern times.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Toru Kiuchi is professor of English at Nihon University.
Inhaltsangabe
Acknowledgments Introduction Summaries of Essays Part I: History Chapter One: Yone Noguchi's Invention of English-language Haiku Toru Kiuchi Chapter Two: Ezra Pound, Imagism, and Haiku Yoshinobu Hakutani Chapter Three: Mutual Influence between the American and the Japanese Haiku: The History of American Haiku Toshio Kimura Chapter Four: 100 Years of Haiku in the United States: An Overview Jim Kacian Chapter Five: Haiku in Higher Education: A Bibliography of Articles & Theses on Haiku Concluding with a Model of Teaching Haiku as Performance Learning Randy Brooks Part II: Criticism Chapter Six: Richard Wright's Haiku, Zen, and the African "Primal Outlook upon Life" Yoshinobu Hakutani Chapter Seven: Zen Buddhism in Richard Wright's Haiku Toru Kiuchi Chapter Eight: African American Haiku and Aesthetic Attitude John Zheng Chapter Nine: Jack Kerouac's Haiku and The Dharma Bums Yoshinobu Hakutani Chapter Ten: Sonia Sanchez's Morning Haiku and the Blues Heejung Kim Chapter Eleven: Those "Negro slaves, dark purple ripened plums": Black Atlantic Captives Revisited in Cane and Parodied in Jazz from the Haiku King Virginia W. Smith Chapter Twelve: Creating African American Haiku Form: Lenard D. Moore's Poetic Artistry Toru Kiuchi Chapter Thirteen: Cid Corman and Haiku: The Poetics of "Livingdying" Ce Rosenow Chapter Fourteen: Burnell Lippy's Haiku in Relation to Zen Bruce Ross Contributors Index
Acknowledgments Introduction Summaries of Essays Part I: History Chapter One: Yone Noguchi's Invention of English-language Haiku Toru Kiuchi Chapter Two: Ezra Pound, Imagism, and Haiku Yoshinobu Hakutani Chapter Three: Mutual Influence between the American and the Japanese Haiku: The History of American Haiku Toshio Kimura Chapter Four: 100 Years of Haiku in the United States: An Overview Jim Kacian Chapter Five: Haiku in Higher Education: A Bibliography of Articles & Theses on Haiku Concluding with a Model of Teaching Haiku as Performance Learning Randy Brooks Part II: Criticism Chapter Six: Richard Wright's Haiku, Zen, and the African "Primal Outlook upon Life" Yoshinobu Hakutani Chapter Seven: Zen Buddhism in Richard Wright's Haiku Toru Kiuchi Chapter Eight: African American Haiku and Aesthetic Attitude John Zheng Chapter Nine: Jack Kerouac's Haiku and The Dharma Bums Yoshinobu Hakutani Chapter Ten: Sonia Sanchez's Morning Haiku and the Blues Heejung Kim Chapter Eleven: Those "Negro slaves, dark purple ripened plums": Black Atlantic Captives Revisited in Cane and Parodied in Jazz from the Haiku King Virginia W. Smith Chapter Twelve: Creating African American Haiku Form: Lenard D. Moore's Poetic Artistry Toru Kiuchi Chapter Thirteen: Cid Corman and Haiku: The Poetics of "Livingdying" Ce Rosenow Chapter Fourteen: Burnell Lippy's Haiku in Relation to Zen Bruce Ross Contributors Index
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