American Indian love lyrics, and other verse - Austin, Mary; Barnes, Nellie
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PREFACE The influence of American Indian song-literature has touched both the music and the literature of contemporary America. Those writers who use Indian themes are legion. Mary Austin has gone farthest, perhaps, among the writers of the day in relating her poetic work to the native rhythms of America. These native rhythms pulsed through the songs of our Red Men for centuries before our Christian era. The very beautiful Aztec and the Inca poetry belong to the earlier and more highly developed civilizations. Since it is the purpose of this volume to treat of the more primitive forms of…mehr

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PREFACE The influence of American Indian song-literature has touched both the music and the literature of contemporary America. Those writers who use Indian themes are legion. Mary Austin has gone farthest, perhaps, among the writers of the day in relating her poetic work to the native rhythms of America. These native rhythms pulsed through the songs of our Red Men for centuries before our Christian era. The very beautiful Aztec and the Inca poetry belong to the earlier and more highly developed civilizations. Since it is the purpose of this volume to treat of the more primitive forms of rhythm, it has seemed best to limit the illustrations to songs from tribes north of Mexico. The late Mrs. Natalie Curtis Burlin's collection of songs in The Indians' Book makes that volume quite the most representative source book for the study of Indian lyrics. The original texts of unusual range in poetic patterns, the musical settings, the interlinear translations, and the accompanying narratives add a rich context to free translations of genuine literary merit. Among other contributions to Indian song-literature, the studies of Miss Alice Cunningham Fletcher, Mr. Carlos Troyer, and Doctor Washington Matthews hold a particular charm for the investigator. Mrs. Austin's notable work, The American Rhythm, an analysis of the primitive poetic impulse, with illustrations from her own translations, came from the press after the writer's study of Indian poetic rhythms had been under way for some years. The conclusions for this volume have been limited, therefore, to those about poetic forms. The writer is greatly indebted to Mrs. Austin for her generous interest in earlier work and especially for her helpful criticism of this study. N. B.
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Autorenporträt
Mary Austin (nee Hunter) was born in Carlinville, Illinois in 1868 and died in Santa Fe, New Mexico in 1934. After graduation from Blackburn College, she moved with her family to California. She later spent time in New York and eventually settled in Santa Fe. A prolific writer, she wrote novels, short stories, essays, plays and poetry. Her books include "The Land of Little Rain," "The Land of Journeys' Ending," and "The American Rhythm: Studies and Reexpressions of Amerindian Songs," all available in new editions from Sunstone Press. Austin became an early advocate for environmental issues as well as the rights of women and other minority groups. She was particularly interested in the preservation of American Indian culture.