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Numerous American women artists built careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations. These social and political upheavals provoked intellectual and aesthetic tensions, and meant that while a few women working during these decades have gained significant recognition, others are still consigned to obscurity. Through its nuanced approach to issues of gender and female agency, this volume revises this historical silence by offering new scholarship in twentieth-century American art history and feminist studies.…mehr

Produktbeschreibung
Numerous American women artists built careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations. These social and political upheavals provoked intellectual and aesthetic tensions, and meant that while a few women working during these decades have gained significant recognition, others are still consigned to obscurity. Through its nuanced approach to issues of gender and female agency, this volume revises this historical silence by offering new scholarship in twentieth-century American art history and feminist studies.
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Autorenporträt
Helen Langa, Associate Professor of American Art at American University, published Radical Art. Printmaking and the Left in 1930s New York in 2004. Her publications have focused on American prints, cultural democracy, and women/lesbian artists. Paula Wisotzki is Associate Professor at Loyola University Chicago and a specialist in American Art of the 1930s and 40s. Her recent research and publications are centered on Dorothy Dehner's early career.