This volumes explores how author's war writing was shaped by their personal and professional lives and it studies works by Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway.
This volumes explores how author's war writing was shaped by their personal and professional lives and it studies works by Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway.
David Rennie is the editor of Scottish Literature and World War I (Edinburgh University Press), and the author of essays in The Cambridge History of American Literature and Culture and the Great War, The Hemingway Review, and The F. Scott Fitzgerald Review. He is an Honorary Research Associate at Aberdeen University.
Inhaltsangabe
Introduction: The Hell with All the Dirty, Easy Labels: World War I in American Literature 1: The Business of War: Authorship, Publishing, and World War I 2: Edith Wharton 3: Ellen La Motte and Mary Boden 4: Thomas Boyd 5: F. Scott Fitzgerald 6: Laurence Stallings 7: It Is Very Complicated: Ernest Hemingway Conclusion
Introduction: The Hell with All the Dirty, Easy Labels: World War I in American Literature 1: The Business of War: Authorship, Publishing, and World War I 2: Edith Wharton 3: Ellen La Motte and Mary Boden 4: Thomas Boyd 5: F. Scott Fitzgerald 6: Laurence Stallings 7: It Is Very Complicated: Ernest Hemingway Conclusion
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