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This book argues that recognition of the corporate studio's role as author of Hollywood motion pictures enables original interpretations of Hollywood films and provides a deeper understanding of their cultural, political, and commercial objectives.

Produktbeschreibung
This book argues that recognition of the corporate studio's role as author of Hollywood motion pictures enables original interpretations of Hollywood films and provides a deeper understanding of their cultural, political, and commercial objectives.
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Autorenporträt
Jerome Christensen is Professor of English at the University of California at Irvine. His most recent book is Romanticism at the End of History (2000).