The catalogue illustrates the complex link between Dante, his work and Florence, analysing the dense network of relationships between painters, illuminators, copyists and commentators, engaged in an unprecedented editorial and artistic enterprise.
The catalogue illustrates the complex link between Dante, his work and Florence, analysing the dense network of relationships between painters, illuminators, copyists and commentators, engaged in an unprecedented editorial and artistic enterprise.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Luca Azzetta studied under Giuseppe Billanovich at the Università Cattolica of Milan, taking his degree with a thesis on vernacular translations of the first ten books of Livy. He is Associate Professor in Philology of Italian Literature at the University of Florence. He is a member of the executive committee of the Centro Pio Rajna for research in linguistics, philology and literature; of the organising and advisory committee of the Pontifical Council for Culture for the Dante Septicentennial; and of the college of instructors of the PhD course in Philology, Italian Literature and Linguistics, which is currently offered at the University of Florence. He is also co-editor of the journal Rivista di Studi danteschi. Sonia Chiodo took her degree at the University of Florence with a thesis on Late Gothic painting in Florence, under the direction of Mina Gregori. She is Associate Professor of Mediaeval Art History at the University of Florence as well as director of the association ‘Corpus della Pittura Fiorentina’. Teresa De Robertis studied under Emanuele Casamassima at the University of Florence, graduating with a thesis on Roman writing. She is Professor of Latin Palaeography and of Diplomatic Studies at the University of Florence. She has taught at the University of Ferrara and at the Palaeography School of the Florence State Archives. She coordinates the PhD programme in Historical Studies at the Universities of Florence and Siena.
Inhaltsangabe
Presentations Luca Azzetta Sonia Chiodo Teresa De Robertis Introduction Sonia Chiodo Dante Giotto and the “Comedy” Fragments of a possible discourse in the paintings of the Podestà Chapel Andrea De Marchi Giotto “magister et gubernator” in the service of the city. His school and the reconstruction of Florentine communal identity following the 1333 flood Andrea Zorzi Events in Florence between Dante’s convictionand the expulsion of the Duke of Athens Luca Azzetta Dante’s return to Florence Giuliano Milani Florence Giovanni Villani and Dante in the second quarter of the 14th century Teresa De Robertis Dante as a book Giovanna Frosini Stability and change in the language of Florence before the plague CATALOGUE Places of condemnation time for redemption Sonia Chiodo Justice and charity condemnation and nemesis Dante and the Comedy in Florence in the 1330s and 1340s Francesca Pasut The invention of a canon Artists and scribes of the Comedy III.1 Sonia Chiodo Stories told through images by Pacino di Bonaguida and the Master of the Dominican Effigies III.2 Teresa De Robertis Francesco di ser Nardo da Barberino III.3 Irene Ceccherini A widespread scriptorium: scribes and notaries Reading Dante in Florence IV.1. Andrea Mazzucchi Florentine commentaries: from the “Chiose Palatine” to Andrea Lancia IV.2. Marco Petoletti Circulation of books and reading of the classics (alongside the “Comedy”) The construction of memory Monica Berté The biography of Dante: history and legend The language of documents in Florence after Dante Giovanna Frosini Florentine texts relating to the market arts and sciences after Dante atlas. The paintings in the Podestà Chapel Bibliographical references 351 Index of manuscripts and archive documents371 Index of names and anonymous works Photographic credits
Presentations Luca Azzetta Sonia Chiodo Teresa De Robertis Introduction Sonia Chiodo Dante Giotto and the “Comedy” Fragments of a possible discourse in the paintings of the Podestà Chapel Andrea De Marchi Giotto “magister et gubernator” in the service of the city. His school and the reconstruction of Florentine communal identity following the 1333 flood Andrea Zorzi Events in Florence between Dante’s convictionand the expulsion of the Duke of Athens Luca Azzetta Dante’s return to Florence Giuliano Milani Florence Giovanni Villani and Dante in the second quarter of the 14th century Teresa De Robertis Dante as a book Giovanna Frosini Stability and change in the language of Florence before the plague CATALOGUE Places of condemnation time for redemption Sonia Chiodo Justice and charity condemnation and nemesis Dante and the Comedy in Florence in the 1330s and 1340s Francesca Pasut The invention of a canon Artists and scribes of the Comedy III.1 Sonia Chiodo Stories told through images by Pacino di Bonaguida and the Master of the Dominican Effigies III.2 Teresa De Robertis Francesco di ser Nardo da Barberino III.3 Irene Ceccherini A widespread scriptorium: scribes and notaries Reading Dante in Florence IV.1. Andrea Mazzucchi Florentine commentaries: from the “Chiose Palatine” to Andrea Lancia IV.2. Marco Petoletti Circulation of books and reading of the classics (alongside the “Comedy”) The construction of memory Monica Berté The biography of Dante: history and legend The language of documents in Florence after Dante Giovanna Frosini Florentine texts relating to the market arts and sciences after Dante atlas. The paintings in the Podestà Chapel Bibliographical references 351 Index of manuscripts and archive documents371 Index of names and anonymous works Photographic credits
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