An Eschatological Bestiary - Hardwick, Oz
15,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
payback
8 °P sammeln
  • Broschiertes Buch

An Eschatological Bestiary admits to different foci. Recording descriptions of natural history and popular accounts of climate change and inequality, its faunal composition offers symbolic visions, modern protest, and a complete exegetical interpretation of the dramatic rise of an apparently semi-permanent moral blank. Among its prime concerns and other sediments of stories are power relations and future events, their primary goal being to render the Big System unstable at a local level. To this end, words cut out of other sources serve to embody allegorical versions of imaginary animals in…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
An Eschatological Bestiary admits to different foci. Recording descriptions of natural history and popular accounts of climate change and inequality, its faunal composition offers symbolic visions, modern protest, and a complete exegetical interpretation of the dramatic rise of an apparently semi-permanent moral blank. Among its prime concerns and other sediments of stories are power relations and future events, their primary goal being to render the Big System unstable at a local level. To this end, words cut out of other sources serve to embody allegorical versions of imaginary animals in literature and art, providing chance significance to each animal's common misconceptions. In addition to glacial analyses, therefore, this 'sea text dream collection' preserves a record (including tents) of data relating to prophetic processes in any town's financial district, revealing the value of bad practice.
Autorenporträt
Oz Hardwick is a European poet, photographer, occasional musician, and accidental academic, whose work has been widely published in international journals and anthologies, and who has been described as a "major proponent of the neo-surreal prose poem in Britain."He has published "about a dozen" full collections and chapbooks, including Learning to Have Lost (Canberra: IPSI, 2018) which won the 2019 Rubery International Book Award for poetry, and most recently A Census of Preconceptions (Dublin: SurVision Books, 2022). A keen collaborator, Oz is always working with artists in diverse media, including musicians, painters, photographers, and other writers. This has resulted in exhibitions, mixed-media performances, recordings, and publications. The latter include the 2021 Hedgehog chapbook The Still and Fleeting Fire with Amina Alyal.Oz is Professor of Creative Writing at Leeds Trinity University, and has published extensively on Creative Writing. He has also edited or co-edited several anthologies, including The Valley Press Anthology of Prose Poetry (Scarborough: Valley Press, 2019) with Anne Caldwell, with whom he also co-edited Prose Poetry in Theory and Practice (Abingdon: Routledge, 2022). The anthology Dancing About Architecture and Other Ekphrastic Manoeuvres, co-edited with Cassandra Atherton, will be published by MadHat Press (Cheshire, MA) in 2024.Described as "exhaustingly prolific", as a photographer, Oz has had work on many rock album covers; as a musician, he has played at the Glastonbury Festival as the Summer Solstice sun rose; and as an academic he has published extensively on medieval art and literature, and on Creative Writing: however, he wishes it to be known that not one item on this list is as impressive as it sounds. In 2022, he was awarded the ARC Poetry Prize for "a lifetime devotion and service to the cause of prose poetry" but, at time of writing, is not dead yet.