This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression.
This book critically addresses the conventional practices of studies on music, while taking readers through various global examples of musical expression.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Steven Loza is professor of ethnomusicology and chair of Global Jazz Studies at The UCLA Herb Alpert School of Music.
Inhaltsangabe
Table of Contents List of Figures Acknowledgments Introduction Chapter 1: Thinking Globally: Thoughts and the Ideas of Others on Philosophy, Religion, and Music Chapter 2: Composers and Ideologies through a World Prism Chapter 3: The Spirituality of the Blues and Related Sacred Music Chapter 4: Polarities, Windmills, and the Transcendence of the Universe Chapter 5: James Newton, Composer of Faith Chapter 6: Masked Phantoms: Thoughts on Our Research and Scholarship in Ethnomusicology Chapter 7: Challenges to the Euro-Americentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method Chapter 8: Toward a Theory for Religion as Art: From Merriam to Guadalupe Chapter 9: Social Justice and My Work as a Music Scholar, Teacher, and Artist Chapter 10: Free Thoughts Bibliography
Table of Contents List of Figures Acknowledgments Introduction Chapter 1: Thinking Globally: Thoughts and the Ideas of Others on Philosophy, Religion, and Music Chapter 2: Composers and Ideologies through a World Prism Chapter 3: The Spirituality of the Blues and Related Sacred Music Chapter 4: Polarities, Windmills, and the Transcendence of the Universe Chapter 5: James Newton, Composer of Faith Chapter 6: Masked Phantoms: Thoughts on Our Research and Scholarship in Ethnomusicology Chapter 7: Challenges to the Euro-Americentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method Chapter 8: Toward a Theory for Religion as Art: From Merriam to Guadalupe Chapter 9: Social Justice and My Work as a Music Scholar, Teacher, and Artist Chapter 10: Free Thoughts Bibliography
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