When the Cuban painter Wifredo Lam turns up dead in his Greenwich Village studio, the investigation takes Detective Juanita Diaz and her new NYPD counterpart Brian Fitzgerald from Chinatown's underworld to Spanish Harlem's gangland in search of a killer who left a grotesque calling card: an exquisite corpse.
When the Cuban painter Wifredo Lam turns up dead in his Greenwich Village studio, the investigation takes Detective Juanita Diaz and her new NYPD counterpart Brian Fitzgerald from Chinatown's underworld to Spanish Harlem's gangland in search of a killer who left a grotesque calling card: an exquisite corpse.
Helen A. Harrison, a former art reviewer and feature writer for The New York Times and visual arts commentator for National Public Radio, is the director of the Pollock-Krasner House and Study Center in East Hampton, New York, and an authority on 20th century American art. A native of New York City with a bachelor's degree in studio art from Adelphi University, she also attended the Art Students League, the Brooklyn Museum Art School and Hornsey College of Art in London before receiving a master's degree in art history from Case Western Reserve University. Among her many publications are exhibition catalogs, essays, book chapters, reviews and articles, and several non-fiction books, including Hamptons Bohemia: Two Centuries of Artists and Writers on the Beach, co-authored with Constance Ayers Denne, and monographs on Larry Rivers and Jackson Pollock. She and her husband, the artist Roy Nicholson, live in Sag Harbor, New York. www.helenharrison.net.
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