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Preface 1. Introduction 2. Origin and nature of the Egyptian style of architecture 3. Origin of the architecture of the Greeks 4. Influence upon architecture of habit and religion 5. Nature and character of the different orders of Grecian architecture 6. Natural and adventitious circumstances by which Grecian architecture was affected 7. On the origin of the arch 8. Decay of the architecture of the Greeks, and progress of that of the Romans 9. Effect upon architecture of the introduction of Christianity 10. Effect upon ancient architecture of the want of glass 11. Some account of round or polygonal buildings 12. Rise and progress of the architecture of Byzantium 13. Derivation of the Persian, Mohammedan, and Moorish architecture from that of Byzantium 14. Derivation of Russian architecture from that of Byzantium 15. Destruction of pagan works of art 16. Symbols used by the early Christians 17. Heathen customs kept up or emulated by the Christians 18. Schism between the Greek and Latin churches 19. Sepulchral architecture 20. Early styles of architecture on this side of the Alps derived from Italy 21. Investigation of the circumstances which, towards the end of the tenth century, affected architecture generally and extensively throughout Europe 22. Lombard style of architecture 23. Progress of the art of constructing arches and vaults 24. Forms of the absis, entrance, cupola, spire, and steeple usually seen in Lombard architecture 25. Lombard monastic architecture 26. Private defensive architecture of the ninth and tenth centuries 27. Lombard civic architecture 28. Allegorical and other ornamental additions to Lombard architecture 29. On the use of brick 30. Doors of churches 31. A list of churches in the Lombard style 32. Some account of the characteristics of the pointed style 33. The question of the person by whom, or the place where, the pointed arch was invented, not to be solved 34. Examination of various conjectures on the subject of the change from round to pointed architecture 35. The author's theory respecting the invention and adoption of pointed architecture 36. A brief examination of various conjectures as to the country in which pointed architecture originated 37. Inquiry into the claims of England to the invention of pointed architecture 38. Inquiry into the claims of France and Italy 39. Inquiry into the claims of Germany 40. A short account of some developments of the pointed style, religious and civic 41. Diffusion of the pointed style through France, England, Spain, Portugal, and Italy 42. A list of remarkable edifices in the pointed style 43. Local peculiarities of architecture 44. Causes which produced the decline of pointed architecture 45. Characteristics of the resumed style of the ancients 46. Adoption throughout Europe of the resumed style of the ancients 47. A list of edifices in the cinque-cento style 48. Remarks upon architecture since the time of Michael Angelo Index.
Preface 1. Introduction 2. Origin and nature of the Egyptian style of architecture 3. Origin of the architecture of the Greeks 4. Influence upon architecture of habit and religion 5. Nature and character of the different orders of Grecian architecture 6. Natural and adventitious circumstances by which Grecian architecture was affected 7. On the origin of the arch 8. Decay of the architecture of the Greeks, and progress of that of the Romans 9. Effect upon architecture of the introduction of Christianity 10. Effect upon ancient architecture of the want of glass 11. Some account of round or polygonal buildings 12. Rise and progress of the architecture of Byzantium 13. Derivation of the Persian, Mohammedan, and Moorish architecture from that of Byzantium 14. Derivation of Russian architecture from that of Byzantium 15. Destruction of pagan works of art 16. Symbols used by the early Christians 17. Heathen customs kept up or emulated by the Christians 18. Schism between the Greek and Latin churches 19. Sepulchral architecture 20. Early styles of architecture on this side of the Alps derived from Italy 21. Investigation of the circumstances which, towards the end of the tenth century, affected architecture generally and extensively throughout Europe 22. Lombard style of architecture 23. Progress of the art of constructing arches and vaults 24. Forms of the absis, entrance, cupola, spire, and steeple usually seen in Lombard architecture 25. Lombard monastic architecture 26. Private defensive architecture of the ninth and tenth centuries 27. Lombard civic architecture 28. Allegorical and other ornamental additions to Lombard architecture 29. On the use of brick 30. Doors of churches 31. A list of churches in the Lombard style 32. Some account of the characteristics of the pointed style 33. The question of the person by whom, or the place where, the pointed arch was invented, not to be solved 34. Examination of various conjectures on the subject of the change from round to pointed architecture 35. The author's theory respecting the invention and adoption of pointed architecture 36. A brief examination of various conjectures as to the country in which pointed architecture originated 37. Inquiry into the claims of England to the invention of pointed architecture 38. Inquiry into the claims of France and Italy 39. Inquiry into the claims of Germany 40. A short account of some developments of the pointed style, religious and civic 41. Diffusion of the pointed style through France, England, Spain, Portugal, and Italy 42. A list of remarkable edifices in the pointed style 43. Local peculiarities of architecture 44. Causes which produced the decline of pointed architecture 45. Characteristics of the resumed style of the ancients 46. Adoption throughout Europe of the resumed style of the ancients 47. A list of edifices in the cinque-cento style 48. Remarks upon architecture since the time of Michael Angelo Index.
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