Stephen Town's survey of choral music of the English Musical Renaissance is rooted in close examination of selected works by Vaughan Williams, Parry, Stanford, Finzi, Rubbra and Dyson. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
Stephen Town's survey of choral music of the English Musical Renaissance is rooted in close examination of selected works by Vaughan Williams, Parry, Stanford, Finzi, Rubbra and Dyson. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stephen Town is Professor of Music at Northwest Missouri State University. He is a recipient of the Ralph Vaughan Williams Fellowship and has published widely on music from the eighteenth to the twentieth centuries.
Inhaltsangabe
List of Chapter Appendices List of Tables List of Figures List of Music Examples Preface Acknowledgments 1. Hubert Parry and The Vision of Life Reconsidered: "And we are faint with longing to hear the message clearly" 2. Voces Clamantium and Beyond These Voices There Is Peace: The Embodiment of Parry's Character Polarities 3. Two Versions of The Three Holy Children by Charles Stanford: Context Design and Extant Scores 4. Elegiac Ode by Charles Stanford: An Inspired Setting Influential Exemplar and Filial Tribute 5. Flos Campi by Ralph Vaughan Williams: "From Raw Intimations to Homogeneous Experience" 6. "The light we sought is shining still": An Oxford Elegy by Ralph Vaughan Williams 7. "So great a beauty on these English fields": Requiem da Camera and Gerald Finzi (1901-1956) 8. "The visionary gleam": Gerald Finzi Ralph Vaughan Williams and Intimations of Immortality 9. Symphony No. 9 Sinfonia Sacra by Edmund Rubbra 10. The Morning Watch Op. 55 by Edmund Rubbra 11. "A home of unfading splendour": Quo Vadis by George Dyson (1883-1964) 12. George Dyson's Nebuchadnezzar and the Stimulus of Parry Stanford and Walton Afterword Bibliography Index
List of Chapter Appendices List of Tables List of Figures List of Music Examples Preface Acknowledgments 1. Hubert Parry and The Vision of Life Reconsidered: "And we are faint with longing to hear the message clearly" 2. Voces Clamantium and Beyond These Voices There Is Peace: The Embodiment of Parry's Character Polarities 3. Two Versions of The Three Holy Children by Charles Stanford: Context Design and Extant Scores 4. Elegiac Ode by Charles Stanford: An Inspired Setting Influential Exemplar and Filial Tribute 5. Flos Campi by Ralph Vaughan Williams: "From Raw Intimations to Homogeneous Experience" 6. "The light we sought is shining still": An Oxford Elegy by Ralph Vaughan Williams 7. "So great a beauty on these English fields": Requiem da Camera and Gerald Finzi (1901-1956) 8. "The visionary gleam": Gerald Finzi Ralph Vaughan Williams and Intimations of Immortality 9. Symphony No. 9 Sinfonia Sacra by Edmund Rubbra 10. The Morning Watch Op. 55 by Edmund Rubbra 11. "A home of unfading splendour": Quo Vadis by George Dyson (1883-1964) 12. George Dyson's Nebuchadnezzar and the Stimulus of Parry Stanford and Walton Afterword Bibliography Index
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