Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university marketplace. All main aspects of the subject are covered, including composition, theory, world musics and music technology.
Why study music? How much practical use is it in the modern world? This introduction proves how studying music is of great value both in its own terms and also in the post-university marketplace. All main aspects of the subject are covered, including composition, theory, world musics and music technology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Features of this book: a guide Introduction J. P. E. Harper-Scott Part I. Disciplines: 1. Music history Jim Samson 2. Music theory and analysis Rachel Beckles Willson 3. The sociology of music Katharine Ellis 4. The psychology of music John Rink 5. Music aesthetics and critical theory Andrew Bowie Part II. Approaches to Repertoire: 6. World musics Henry Stobart 7. Early music Stephen Rose 8. Opera David Charlton 9. Concert music Erik Levi 10. Jazz Andrew Bowie 11. Popular music Elizabeth Eva Leach 12. Music in film and television Julie Brown Part III. Music in Practice: 13. Musical performance Tina K. Ramnarine 14. Composition Julian Johnson 15. Music technology Brian Lock 16. The economics and business of music Nicholas Cook.
Features of this book: a guide Introduction J. P. E. Harper-Scott Part I. Disciplines: 1. Music history Jim Samson 2. Music theory and analysis Rachel Beckles Willson 3. The sociology of music Katharine Ellis 4. The psychology of music John Rink 5. Music aesthetics and critical theory Andrew Bowie Part II. Approaches to Repertoire: 6. World musics Henry Stobart 7. Early music Stephen Rose 8. Opera David Charlton 9. Concert music Erik Levi 10. Jazz Andrew Bowie 11. Popular music Elizabeth Eva Leach 12. Music in film and television Julie Brown Part III. Music in Practice: 13. Musical performance Tina K. Ramnarine 14. Composition Julian Johnson 15. Music technology Brian Lock 16. The economics and business of music Nicholas Cook.
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