Andere Kunden interessierten sich auch für
![Paint in Traditional Ghanaian Art: Evolution Application and Meaning]( "Paint in Traditional Ghanaian Art: Evolution Application and Meaning")
Paint in Traditional Ghanaian Art: Evolution Application and Meaning45,99 €![Roman Art; Some Of Its Principles And Their Application To Early Christian Painting]( "Roman Art; Some Of Its Principles And Their Application To Early Christian Painting")
Roman Art; Some Of Its Principles And Their Application To Early Christian Painting36,99 €![Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700-1900)]( "Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700-1900)")
Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700-1900)45,00 €![The Two Paths: Being Lectures On Art, and Its Application to Decoration and Manufacture, Delivered in 1858-9]( "The Two Paths: Being Lectures On Art, and Its Application to Decoration and Manufacture, Delivered in 1858-9")
The Two Paths: Being Lectures On Art, and Its Application to Decoration and Manufacture, Delivered in 1858-936,99 €![Dynasty and Divinity: Ife Art in Ancient Nigeria]( "Dynasty and Divinity: Ife Art in Ancient Nigeria")
Dynasty and Divinity: Ife Art in Ancient Nigeria34,99 €![Arts of Nigeria in French Private Collections]( "Arts of Nigeria in French Private Collections")
Arts of Nigeria in French Private Collections55,99 €![Sharing Code: Art1, Frederick Hammersley, and the Dawn of Computer Art]( "Sharing Code: Art1, Frederick Hammersley, and the Dawn of Computer Art")
Sharing Code: Art1, Frederick Hammersley, and the Dawn of Computer Art35,99 €
'An Investigation of Computer Application to Painting In Nigeria', questions the apathetic disposition of art purists and artists to the use of the computer in creating paintings. Through a rare art historical methodology that combines the qualitative and quantitative approaches, the history of computer painting in Nigeria is established within the annals of contemporary Nigerian Painting. The investigation importantly, found and analysed the early examples of computer paintings in the country,as well as documented the artists. Through interviews and questionnaires,the views of respondents to the paintings were also established, bringing to fore its advantages and disadvantages. While the study of computer paintings may not have caught the fancy of painters, art historians and academic leaders in the field of Art in Nigeria, this research calls for its inclusion in the training curriculum of painting, in view of the capability of the medium to speedily promote cultural, political,social among other views of a people or group. The relevance of this research underpins the need to embrace changes ushered in by technological advancement.