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This study aims to analyse the narrative strategies that enable the representation of different aspects of the grotesque in Rubem Fonseca's novel Romance negro e outras histórias, proposing the consideration of the grotesque as a discursive genre, literary aesthetic, attitude and cultural practice, operating from two main paths: the grotesque as a predominant aesthetic representation in contemporary times and the grotesque as a form of transgression of the social codes in force in modern capitalist society.

Produktbeschreibung
This study aims to analyse the narrative strategies that enable the representation of different aspects of the grotesque in Rubem Fonseca's novel Romance negro e outras histórias, proposing the consideration of the grotesque as a discursive genre, literary aesthetic, attitude and cultural practice, operating from two main paths: the grotesque as a predominant aesthetic representation in contemporary times and the grotesque as a form of transgression of the social codes in force in modern capitalist society.
Autorenporträt
He is a PhD student on the Postgraduate Programme in Literature Sciences at the Federal University of Rio de Janeiro, has a master's degree from the Federal University of Minas Gerais and a degree in Literature from the Pontifical Catholic University of Minas Gerais.