Analysing performance
A critical reader
Herausgeber: Campbell, Patrick
Analysing performance
A critical reader
Herausgeber: Campbell, Patrick
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A wide-ranging collection of specially commissioned essays by contributors of international standing about key aspects of the performing arts
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A wide-ranging collection of specially commissioned essays by contributors of international standing about key aspects of the performing arts
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 324
- Erscheinungstermin: 1. April 1996
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 410g
- ISBN-13: 9780719042508
- ISBN-10: 071904250X
- Artikelnr.: 21639274
- Verlag: Manchester University Press
- Seitenzahl: 324
- Erscheinungstermin: 1. April 1996
- Englisch
- Abmessung: 216mm x 140mm x 18mm
- Gewicht: 410g
- ISBN-13: 9780719042508
- ISBN-10: 071904250X
- Artikelnr.: 21639274
Patrick Campbell is Principal Lecturer in English and Leader of the MA in Performing Arts at Middlesex University
Introduction - interpretations and issues
Patrick Campbell. Part 1 Feminisms and performance: feminisms and theatres: canon fodder and cultural change
Lizbeth Goodman; bodies of knowledge: dance and feminist analysis
Alexandra Carter; gender as sign-system - the feminist spectator as subject
Elaine Aston; new perspectives - feminism and music
Sophie Fuller; feminism(s)/postmodernism(s) - MTV and alternate women's videos and performance art
E. Ann Kaplan. Part 2 Postmodernism
poststructuralism
politics and performance: postmodern performance
Stephen Connor; postmodern dance and the politics of resistance
Valerie A. Briginshaw; the politics of performance in a postmodern age
Baz Kershaw; reading difficulties; Sandra Kemp; psychoanalysis and the theatrical - analyzing performance
Elizabeth Wright. Part 3 Issues in performance: the challenge of "Binglish" - analyzing multi-cultural productions
Jatinder Verma; AIDS and live art
Lizbeth Goodman; does authenticity matter? the case for and against authenticity in the performing arts
Sarah Rubidge; "sexing the cherry" - high or low art? distinctions in performance
Lucy O'Brien; changing perspectives
Ruth Tompsett; bodies politic
proscribed and perverse: censorship and the performing arts
Patrick Campbell Select bibliography Index
Patrick Campbell. Part 1 Feminisms and performance: feminisms and theatres: canon fodder and cultural change
Lizbeth Goodman; bodies of knowledge: dance and feminist analysis
Alexandra Carter; gender as sign-system - the feminist spectator as subject
Elaine Aston; new perspectives - feminism and music
Sophie Fuller; feminism(s)/postmodernism(s) - MTV and alternate women's videos and performance art
E. Ann Kaplan. Part 2 Postmodernism
poststructuralism
politics and performance: postmodern performance
Stephen Connor; postmodern dance and the politics of resistance
Valerie A. Briginshaw; the politics of performance in a postmodern age
Baz Kershaw; reading difficulties; Sandra Kemp; psychoanalysis and the theatrical - analyzing performance
Elizabeth Wright. Part 3 Issues in performance: the challenge of "Binglish" - analyzing multi-cultural productions
Jatinder Verma; AIDS and live art
Lizbeth Goodman; does authenticity matter? the case for and against authenticity in the performing arts
Sarah Rubidge; "sexing the cherry" - high or low art? distinctions in performance
Lucy O'Brien; changing perspectives
Ruth Tompsett; bodies politic
proscribed and perverse: censorship and the performing arts
Patrick Campbell Select bibliography Index
Introduction - interpretations and issues
Patrick Campbell. Part 1 Feminisms and performance: feminisms and theatres: canon fodder and cultural change
Lizbeth Goodman; bodies of knowledge: dance and feminist analysis
Alexandra Carter; gender as sign-system - the feminist spectator as subject
Elaine Aston; new perspectives - feminism and music
Sophie Fuller; feminism(s)/postmodernism(s) - MTV and alternate women's videos and performance art
E. Ann Kaplan. Part 2 Postmodernism
poststructuralism
politics and performance: postmodern performance
Stephen Connor; postmodern dance and the politics of resistance
Valerie A. Briginshaw; the politics of performance in a postmodern age
Baz Kershaw; reading difficulties; Sandra Kemp; psychoanalysis and the theatrical - analyzing performance
Elizabeth Wright. Part 3 Issues in performance: the challenge of "Binglish" - analyzing multi-cultural productions
Jatinder Verma; AIDS and live art
Lizbeth Goodman; does authenticity matter? the case for and against authenticity in the performing arts
Sarah Rubidge; "sexing the cherry" - high or low art? distinctions in performance
Lucy O'Brien; changing perspectives
Ruth Tompsett; bodies politic
proscribed and perverse: censorship and the performing arts
Patrick Campbell Select bibliography Index
Patrick Campbell. Part 1 Feminisms and performance: feminisms and theatres: canon fodder and cultural change
Lizbeth Goodman; bodies of knowledge: dance and feminist analysis
Alexandra Carter; gender as sign-system - the feminist spectator as subject
Elaine Aston; new perspectives - feminism and music
Sophie Fuller; feminism(s)/postmodernism(s) - MTV and alternate women's videos and performance art
E. Ann Kaplan. Part 2 Postmodernism
poststructuralism
politics and performance: postmodern performance
Stephen Connor; postmodern dance and the politics of resistance
Valerie A. Briginshaw; the politics of performance in a postmodern age
Baz Kershaw; reading difficulties; Sandra Kemp; psychoanalysis and the theatrical - analyzing performance
Elizabeth Wright. Part 3 Issues in performance: the challenge of "Binglish" - analyzing multi-cultural productions
Jatinder Verma; AIDS and live art
Lizbeth Goodman; does authenticity matter? the case for and against authenticity in the performing arts
Sarah Rubidge; "sexing the cherry" - high or low art? distinctions in performance
Lucy O'Brien; changing perspectives
Ruth Tompsett; bodies politic
proscribed and perverse: censorship and the performing arts
Patrick Campbell Select bibliography Index