Analytical Essays on Music by Women Composers: Concert Music from 1960-2000 is the first to appear in an exciting a four volume series devoted to the work of women composers across Western art music history.
Analytical Essays on Music by Women Composers: Concert Music from 1960-2000 is the first to appear in an exciting a four volume series devoted to the work of women composers across Western art music history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Laurel Parsons has taught music theory and aural skills at the University of Victoria, the University of British Columbia, Queen's University, and the University of Oregon. Her research interests include aural skills pedagogy and the serial music of Elisabeth Lutyens. From 2012-15 she chaired the Society for Music Theory's Committee on the Status of Women. Brenda Ravenscroft is Associate Professor of music theory and Associate Dean of Teaching and Learning in the Faculty of Arts and Science at Queen's University. Her research focuses on post-tonal American music, text and music, rhythmic organization, and pedagogy. She chaired the Society for Music Theory's Committee on the Status of Women from 2006 to 2009.
Inhaltsangabe
* Introduction * Laurel Parsons and Brenda Ravenscroft * PART I * Order, Freedom and Design * Chapter 1. Ursula Mamlok, Panta Rhei, Third Movement (1981) * Biography * "Twelve Tone in My Own Way": An Analytical Study of Ursula Mamlok's Panta Rhei, Third Movement, with Some Reflections on Twelve-Tone Music in America * Joseph N. Straus * Chapter 2. Norma Beecroft, Improvvisazioni Concertanti No. 1 (1961) * Biography * Improvvisazioni Concertanti No. 1 by Norma Beecroft: Serialism, Improvisatory Discourse, and the Musical Avant-garde * Christoph Neidhöfer * Chapter 3. Joan Tower, Silver Ladders (1986) * Biography * "Octatonicism, " the Octatonic Scale, and Large-Scale Structure in Joan Tower's Silver Ladders * Jonathan W. Bernard * PART II * Gesture, Identity and Culture * Chapter 4. Sofia Gubaidulina, String Quartet No. 2 (1987) * Biography * "Difference Inhabits Repetition ": Sofia Gubaidulina's String Quartet No. 2 * Judy Lochhead * Chapter 5. Chen Yi, Symphony No. 2 (1993) * Biography * The Transformative Power of Musical Gestures: Cultural Translation in Chen Yi's Symphony No. 2 * Nancy Rao * PART III * Music, Words and Voices * Chapter 6. Kaija Saariaho, "The claw of the magnolia..., " From the Grammar of Dreams (1988) * Biography * Superposition in Kaija Saariaho's "The claw of the magnolia... " * John Roeder * Chapter 7. Libby Larsen, Chanting Towards Paradise (1997) * Biography * Music as a Mirror: Libby Larsen's Chanting Towards Paradise * Brenda Ravenscroft * Chapter 8. Elisabeth Lutyens, Essence of Our Happinesses (1968) * Biography * This Imaginary Halfe-Nothing: Temporality in Elisabeth Lutyens's Essence of Our Happinesses * Laurel Parsons * Bibliography * Glossary * Index
* Introduction * Laurel Parsons and Brenda Ravenscroft * PART I * Order, Freedom and Design * Chapter 1. Ursula Mamlok, Panta Rhei, Third Movement (1981) * Biography * "Twelve Tone in My Own Way": An Analytical Study of Ursula Mamlok's Panta Rhei, Third Movement, with Some Reflections on Twelve-Tone Music in America * Joseph N. Straus * Chapter 2. Norma Beecroft, Improvvisazioni Concertanti No. 1 (1961) * Biography * Improvvisazioni Concertanti No. 1 by Norma Beecroft: Serialism, Improvisatory Discourse, and the Musical Avant-garde * Christoph Neidhöfer * Chapter 3. Joan Tower, Silver Ladders (1986) * Biography * "Octatonicism, " the Octatonic Scale, and Large-Scale Structure in Joan Tower's Silver Ladders * Jonathan W. Bernard * PART II * Gesture, Identity and Culture * Chapter 4. Sofia Gubaidulina, String Quartet No. 2 (1987) * Biography * "Difference Inhabits Repetition ": Sofia Gubaidulina's String Quartet No. 2 * Judy Lochhead * Chapter 5. Chen Yi, Symphony No. 2 (1993) * Biography * The Transformative Power of Musical Gestures: Cultural Translation in Chen Yi's Symphony No. 2 * Nancy Rao * PART III * Music, Words and Voices * Chapter 6. Kaija Saariaho, "The claw of the magnolia..., " From the Grammar of Dreams (1988) * Biography * Superposition in Kaija Saariaho's "The claw of the magnolia... " * John Roeder * Chapter 7. Libby Larsen, Chanting Towards Paradise (1997) * Biography * Music as a Mirror: Libby Larsen's Chanting Towards Paradise * Brenda Ravenscroft * Chapter 8. Elisabeth Lutyens, Essence of Our Happinesses (1968) * Biography * This Imaginary Halfe-Nothing: Temporality in Elisabeth Lutyens's Essence of Our Happinesses * Laurel Parsons * Bibliography * Glossary * Index
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