How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself.
How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Allan F. Moore is Professor of Popular Music and Head of the School of Performing Arts at the University of Surrey. He is author of Rock: The Primary Text and editor of The Cambridge Companion to Blues and Gospel Music. He is also co-editor of the journals Popular Music and Twentieth-Century Music
Inhaltsangabe
Acknowledgement Contributors 1. Introduction Allan F. Moore 2. Popular music analysis: ten apothegms and four instances Robert Walser 3. From lyric to anti-lyric: analysing the words in pop songs Dai Griffiths 4. The sound is 'out there': score, sound design and exoticism in The X-Files Robynn J. Stilwell 5. Feel the beat come down: house music as rhetoric Stan Hawkins 6. The determining role of performance in the articulation of meaning: the case of 'Try a Little Tenderness' Rob Bowman 7. Marxist music analysis without Adorno: popular music and urban geography Adam Krims 8. Jethro Tull and the case for modernism in mass culture Allan F. Moore 9. Pangs of history in late 1970s new-wave rock John Covach 10. Is anybody listening? Chris Kennett 11. Talk and text: popular music and ethnomusicology Martin Stokes Bibliography Discography Film/Videography Index.
Acknowledgement Contributors 1. Introduction Allan F. Moore 2. Popular music analysis: ten apothegms and four instances Robert Walser 3. From lyric to anti-lyric: analysing the words in pop songs Dai Griffiths 4. The sound is 'out there': score, sound design and exoticism in The X-Files Robynn J. Stilwell 5. Feel the beat come down: house music as rhetoric Stan Hawkins 6. The determining role of performance in the articulation of meaning: the case of 'Try a Little Tenderness' Rob Bowman 7. Marxist music analysis without Adorno: popular music and urban geography Adam Krims 8. Jethro Tull and the case for modernism in mass culture Allan F. Moore 9. Pangs of history in late 1970s new-wave rock John Covach 10. Is anybody listening? Chris Kennett 11. Talk and text: popular music and ethnomusicology Martin Stokes Bibliography Discography Film/Videography Index.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826