Suzannah Clark is Gardner Cowles Associate Professor of Music at Harvard University, Massachusetts. In addition to her work on Schubert, her research interests range from medieval French motets to the history of music theory from Rameau to Schenker. She is the co-editor of Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned, with Elizabeth Eva Leach, and Music Theory and Natural Order from the Renaissance to the Early Twentieth Century, with Alexander Rehding.
Inhaltsangabe
Introduction 1. Singing Schubert's praises: the voice of Vogl in Schubert's early history 2. 'A word will often do it': harmonic adventure in Schubert's songs 3. Music theory and the musicological imagination: perceptions of Schubert's sonata form 4. Analyzing music theory: a Schubertian critique Epilogue Bibliography.
Introduction 1. Singing Schubert's praises: the voice of Vogl in Schubert's early history 2. 'A word will often do it': harmonic adventure in Schubert's songs 3. Music theory and the musicological imagination: perceptions of Schubert's sonata form 4. Analyzing music theory: a Schubertian critique Epilogue Bibliography.
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