Anatomy and Physiology of Domestic Animals - Akers, R. Michael; Denbow, D. Michael
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Anatomy and Physiology of Domestic Animals, Second Edition offers a detailed introduction to the foundations of anatomy and physiology in a wide range of domestic species. Well illustrated throughout, the book provides in-depth information on the guiding principles of this key area of study for animal science students, fostering a thorough understanding of the complex make-up of domestic animals. This Second Edition includes access to supplementary material online, including images and tables available for download in PowerPoint, a test bank of questions for instructors, and self-study…mehr

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Produktbeschreibung
Anatomy and Physiology of Domestic Animals, Second Edition offers a detailed introduction to the foundations of anatomy and physiology in a wide range of domestic species. Well illustrated throughout, the book provides in-depth information on the guiding principles of this key area of study for animal science students, fostering a thorough understanding of the complex make-up of domestic animals. This Second Edition includes access to supplementary material online, including images and tables available for download in PowerPoint, a test bank of questions for instructors, and self-study questions for students at www.wiley.com/go/akers/anatomy.

Taking a logical systems-based approach, this new edition is fully updated and now provides more practical information, with descriptions of anatomic or physiological events in pets or domestic animals to demonstrate everyday applications. Offering greater depth of information than other books in this area, Anatomy and Physiology of Domestic Animals is an invaluable textbook for animal science students and professionals in this area.
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Autorenporträt
Jamie was born in Scotland and began playing guitar at the age of 10. Initially playing rock and blues then attempting to play jazz and finally settling on classical guitar, he was largely self-taught before having lessons with Robert Mackillop at Napier University, Edinburgh. Whilst at Napier he turned his attentions to playing the lute and pursued this, at the Royal College of Music, studying with Jakob Lindberg. Adding theorbo to his expanding instrument collection, Jamie continued his studies at Trinity College of Music with Jacob Heringman and David Miller with additional lessons and advice from Paul O'Dette and Elizabeth Kenny. Having settled on the period instrument path Jamie continued accumulating instruments and exploring the music of the 16th to 19th centuries, with occasional forays into contemporary music.Following a Junior Fellowship at Trinity College of Music Jamie began pursuing a varied professional career. As a soloist he has performed mostly in the UK and Scandinavia giving recitals for The Yorke Music Trust, Ullapool Guitar Festival, Classical Guitar Retreat, Exeter Guitar Festival and the Copenhagen Renaissance Music Festival.Professional highlightsJamie has accompanied leading singers including Dame Emma Kirkby, James Bowman, Michael Chance, Miriam Allan, and Sam Bowden and performed with many early music ensembles such as I Fagiolini, Ex Cathedra, Fretwork, The Parley of Instruments, The Hanover Band, Sounds Baroque and the Dunedin Consort.As a continuo player Jamie has worked for major opera companies, English National Opera, Welsh National Opera, Opera North and Innsbruck Festival Opera and orchestras and chamber groups including The Scottish, Irish and English Chamber Orchestras, Northern Sinfonia, the Royal Scottish National Orchestra, The Ulster Orchestra, The Scottish Ensemble, with trumpeter Alison Balsom, and ventured into other styles with Damon Albarn.Jamie has performed on numerous recordings; a few film soundtracks; several theatrical stages, including Shakespeare's Globe Theatre and the Barbican, and broadcast for the BBC, France Musique and RTE Lyric, Ireland.Jamie's debut solo CD Thesaurus Harmonicus was released in 2012.Research interestsAlthough mostly concentrating on performing and teaching, Jamie has occasionally indulged in research, exploring the domestic music making of Samuel Pepys and his 'musical secretary' Cesare Morelli, the polyphony of Scottish Renaissance composer David Peebles and, most recently, how Scottish melodies were used by European guitarist composers at the beginning of the 19th century.Teaching commitmentsJamie is a lecturer in early plucked strings at the Royal Conservatoire of Scotland.EducationPGDip, Trinity Laban Conservatoire of Music and DanceMMus, Trinity Laban Conservatoire of Music and DanceBMus, Royal College of Music