Terre Satterfield is a research scientist with Decision Research in Eugene, Oregon, and Assistant Professor of Culture, Risk, and the Environment at the University of British Columbia's Sustainable Development Research Institute, and at the Institute for Resources and the Environment.
Terre Satterfield is a research scientist with Decision Research in Eugene, Oregon, and Assistant Professor of Culture, Risk, and the Environment at the University of British Columbia's Sustainable Development Research Institute, and at the Institute for Resources and the Environment.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Terre Satterfield is a research scientist with Decision Research in Eugene, Oregon, and Assistant Professor of Culture, Risk, and the Environment at the University of British Columbia's Sustainable Development Research Institute, and at the Institute for Resources and the Environment.
Inhaltsangabe
Acknowledgments Notes on Names and Methods Illustrations 1 Introduction: A Cultural Dialogue about Old-Growth Forests 2 The Cycle of History: Public Lands, Forest Health, and Activist Histories in the American West 3 Disturbances in the Field and the Defining of Social Movements 4 Negotiating Agency in the Quest for Grassroots Legitimacy 5 Voodoo Science and Common Sense 6 Theorizing Culture: Defining the Past and Imagining the Possible 7 Irrational Actors: Emotions, Ethics, and the Ecocentred Self 8 Concluding Discussion: The Triangular Shape of Cultural Production Notes References Index
Acknowledgments Notes on Names and Methods Illustrations 1 Introduction: A Cultural Dialogue about Old-Growth Forests 2 The Cycle of History: Public Lands, Forest Health, and Activist Histories in the American West 3 Disturbances in the Field and the Defining of Social Movements 4 Negotiating Agency in the Quest for Grassroots Legitimacy 5 Voodoo Science and Common Sense 6 Theorizing Culture: Defining the Past and Imagining the Possible 7 Irrational Actors: Emotions, Ethics, and the Ecocentred Self 8 Concluding Discussion: The Triangular Shape of Cultural Production Notes References Index
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