Ancestral Chains (DNA Part II of VIII) Battersby Bloodline - Bishop, Mark D
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Following on from Ancestral Chains DNA Part I, this work takes the reader a step further along the intrigue of the Family Tree. Viewing Victorian life through the mind-set of great-grandmother, Kate, the stage is set in a posh Georgian terrace in Lewes that serves as the Sussex Probate Office. Money matters are inevitable, but madness and attempted murder play out the scenes of life, as a large family adapt to the sudden incarceration of their father. Clockmakers, the Tolkiens and the creator of Lorna Doone in Teddington, all play their roles in the Battersby family saga. There is mischief and…mehr

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Produktbeschreibung
Following on from Ancestral Chains DNA Part I, this work takes the reader a step further along the intrigue of the Family Tree. Viewing Victorian life through the mind-set of great-grandmother, Kate, the stage is set in a posh Georgian terrace in Lewes that serves as the Sussex Probate Office. Money matters are inevitable, but madness and attempted murder play out the scenes of life, as a large family adapt to the sudden incarceration of their father. Clockmakers, the Tolkiens and the creator of Lorna Doone in Teddington, all play their roles in the Battersby family saga. There is mischief and innuendo too, as when the early 19th century grocer from Isleworth is buried with 2 of his 3 wives; the headstone even today forming a paving stone in the church path, regularly walked over by worshippers. A search & locate mission for a great uncle lost in the Battlefield at Passchendaele in 1917 is launched; love was not lost on his finance though because his elder brother took on the cause.
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Autorenporträt
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.