Fanciful stories of rags-to-riches are fascinating. Yet, when such is part & parcel of one's ancestry, it becomes real. Having known physical hardship in the back-to-backs of Birmingham, great-grandfather Allden determined never to be poor again. An inherent ability in mental arithmetic was to play a major role in the family Commission Agent business; but did the gamble pay off? The Industrial Revolution is never far away in Birmingham & the Black Country, where the Alldens played their part in firing up and arming the nation. Jockeying around was also a major pastime and a money earner for…mehr
Fanciful stories of rags-to-riches are fascinating. Yet, when such is part & parcel of one's ancestry, it becomes real. Having known physical hardship in the back-to-backs of Birmingham, great-grandfather Allden determined never to be poor again. An inherent ability in mental arithmetic was to play a major role in the family Commission Agent business; but did the gamble pay off? The Industrial Revolution is never far away in Birmingham & the Black Country, where the Alldens played their part in firing up and arming the nation. Jockeying around was also a major pastime and a money earner for the boys. Complex family relationships also set the scene when it was better to keep Mum; but lose her they did. A fun-loving Step-Mum & private education stepped in, but did the Alldens find their middle-class roots again. From whence did they hail & why had they fallen? Ancestry is but a game of Snakes & Ladders, so did the Alldens win in the end? Also, is there more of the Allden in the author than he cares to admit?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.
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