Ancestral Chains (DNA Part IV of VIII) Parr Bloodline - Bishop, Mark D
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Ancestry is a dual aspect entity, both private and public. It is private because it is personal. It is public because the stories of the ancestors need to be told. This work deals with both these aspects, while recording the facts for the family researcher and putting across the stories and lives that shaped the ancestors and how they saw and understood the world around them. One should never be ashamed of one's ancestors, for we have no more a right to judge them than they have to judge us. Yes, they really do live among us and they really do affect us from beyond the grave, not only with the…mehr

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Produktbeschreibung
Ancestry is a dual aspect entity, both private and public. It is private because it is personal. It is public because the stories of the ancestors need to be told. This work deals with both these aspects, while recording the facts for the family researcher and putting across the stories and lives that shaped the ancestors and how they saw and understood the world around them. One should never be ashamed of one's ancestors, for we have no more a right to judge them than they have to judge us. Yes, they really do live among us and they really do affect us from beyond the grave, not only with the material goods they leave us, but also with the karma that is passed down to us. It is our job, the living, to deal with this karma, to dig out the hidden aspects of our ancestors' lives that society and culture would not allow them to express. Seen through her eyes, Volume IV is the life & ancestry, the somewhat sad story, of that 19th-century matriarch of the Parr family, dear Florence -bless her tender heart.
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Autorenporträt
This, the third and most involved work by the author on the growing research into Stone Age portable rock art, is a must read for all interested parties. Beginning with handaxes crafted by the earliest inhabitants of the British Isles, one million years ago, it details that they carved, pecked and knapped these artefacts as art. Handaxes of all types, shapes and forms were not so much meant for use as weapons, but more as tools and ceremonial objects, having dual ritualistic and practical functions. Passed down as ancestral heirlooms, they became enthused with 'mana' and were often placed as offerings in streams, or at tomb and grave sites, or by sacred groves. Until now, the designs seen of these artefacts have not generally been recognised as art. The main theme of this work therefore is to introduce these artforms in detail to the world of archaeology and the public alike. Intangible, ritualistic meanings they once held, yet tangible stone art they remain, preserved as monuments to the skill and cognitive abilities of our most distant ancestors.