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This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Although their identities were certainly known in antiquity, these portraits have lost their names through the accident of preservation. In focusing on a series of images that have been previously ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity.

Produktbeschreibung
This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Although their identities were certainly known in antiquity, these portraits have lost their names through the accident of preservation. In focusing on a series of images that have been previously ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity.
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Autorenporträt
Sheila Dillon is Associate Professor in the Department of Art, Art History and Visual Studies at Duke University, with a secondary appointment in the Department of Classical Studies. She is the author of The Female Portrait Statue in the Greek World (2010) and co-editor of A Companion to Women in the Ancient World (2012).