And Then Came Dance
The Women Who Led Volynsky to Ballet's Magic Kingdom
Herausgeber: Rabinowitz, Stanley J
And Then Came Dance
The Women Who Led Volynsky to Ballet's Magic Kingdom
Herausgeber: Rabinowitz, Stanley J
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And Then Came Dance provides new insight into the evolution of Russian literary scholar, art historian, and ballet critic Akim Volynsky's life-altering fascination with female ballet dancers, and the dance writings that resulted from his fascination.
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And Then Came Dance provides new insight into the evolution of Russian literary scholar, art historian, and ballet critic Akim Volynsky's life-altering fascination with female ballet dancers, and the dance writings that resulted from his fascination.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 296
- Erscheinungstermin: 27. August 2019
- Englisch
- Abmessung: 234mm x 159mm x 22mm
- Gewicht: 513g
- ISBN-13: 9780190943370
- ISBN-10: 0190943378
- Artikelnr.: 57009339
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press
- Seitenzahl: 296
- Erscheinungstermin: 27. August 2019
- Englisch
- Abmessung: 234mm x 159mm x 22mm
- Gewicht: 513g
- ISBN-13: 9780190943370
- ISBN-10: 0190943378
- Artikelnr.: 57009339
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Stanley J. Rabinowitz is Professor Emeritus of Russian at Amherst College.
* List of Illustrations
* Preface
* A Note on the Text
* Acknowledgments
* Introduction: Akim Volynsky's Female Portraits
* PART ONE: BODIES IN SITU
* Russian Women: A Retrospective (1923)
* 1) Amoureuses and Druidesses
* 2) A Belated Druidess (on Lyubov Gurevich)
* 3) The Sylph (on Zinaida Gippius)
* 4) Pandora's Box (on Ida Rubinstein)
* 5) A Bouquet (on Lou Andreas-Salome and others)
* Amor (co-authored with Lou Andreas-Salome, 1897)
* The Mona Lisa (from Volynsky's book: Leonardo da Vinci (1898)
* 1) Nastasya Filippovna (1900)
* 2) The Infernal Woman (Grushenka) (from Volynsky's writings on
Dostoevsky 1901)
* Madonna (Introduction to the Russian edition of Otto Weininger's Sex
and Character, 1909)
* PART TWO: BODIES IN MOTION
* The 'Russkaya' (Ekaterina Geltser) (1912)
* The Young Generation (1912)
* The Dancing of Isadora Duncan (1913)
* The Dancing of Anna Pavlova (1913)
* Three Ballerinas (Pavlova, Preobrazhenskaya, Kshesinskaya) (1913)
* A Legendary Talent (Agrippina Vaganova) (1913)
* The Russian Dancer (1913)
* The Pupil of Mariya Savina (Olga Spesivtsva) (1913)
* The Performances at Krasnoe Selo (1913)
* The Broken Harp (Olga Preobrazhenskaya) (1913)
* The Snowflake (Olga Spesivtseva) (1913)
* Anna Pavlova (1914)
* A Pre-eminent Talent (Mathilda Kshesinskaya) (1914)
* Vain Precautions (Tamara Karsavina) (1915)
* Kseniya Makletsova (1915)
* Moscow and Petrograd (Geltser, Makletsova, et al) (1915)
* Agrippina Vaganova's Farewell Benefit (1916)
* The Testing of a Ballerina (Elena Liukom) (1916)
* Yuliya Sedova's Farewell Benefit (1916)
* Tamara Karsavina (1916)
* Vera Karalli (1916)
* Liubov Egorova's Final Benefit Performance (1917)
* The Classical Dancer (1922)
* Elsa Vill (1922)
* Classical Fouette and Leonardo da Vinci's Contrapposto (1922)
* Giselle and The Little Humpbacked Horse (Elena Liukom) (1922)
* The Animated Flower (1923)
* Ballet's Lily (Elizaveta Gerdt) (1923)
* Kseniya Petrovna Makletsova (1923)
* Elena Liukom (1923)
* Our Moscow Guests (Viktorina Kriger) (1923)
* The Gemstones of Benvenuto Cellini (1923)
* On the Russian Ballet (1923)
* The Fairy of Deer Park (Mathilda Kshesinskaya) (1924)
* Preface
* A Note on the Text
* Acknowledgments
* Introduction: Akim Volynsky's Female Portraits
* PART ONE: BODIES IN SITU
* Russian Women: A Retrospective (1923)
* 1) Amoureuses and Druidesses
* 2) A Belated Druidess (on Lyubov Gurevich)
* 3) The Sylph (on Zinaida Gippius)
* 4) Pandora's Box (on Ida Rubinstein)
* 5) A Bouquet (on Lou Andreas-Salome and others)
* Amor (co-authored with Lou Andreas-Salome, 1897)
* The Mona Lisa (from Volynsky's book: Leonardo da Vinci (1898)
* 1) Nastasya Filippovna (1900)
* 2) The Infernal Woman (Grushenka) (from Volynsky's writings on
Dostoevsky 1901)
* Madonna (Introduction to the Russian edition of Otto Weininger's Sex
and Character, 1909)
* PART TWO: BODIES IN MOTION
* The 'Russkaya' (Ekaterina Geltser) (1912)
* The Young Generation (1912)
* The Dancing of Isadora Duncan (1913)
* The Dancing of Anna Pavlova (1913)
* Three Ballerinas (Pavlova, Preobrazhenskaya, Kshesinskaya) (1913)
* A Legendary Talent (Agrippina Vaganova) (1913)
* The Russian Dancer (1913)
* The Pupil of Mariya Savina (Olga Spesivtsva) (1913)
* The Performances at Krasnoe Selo (1913)
* The Broken Harp (Olga Preobrazhenskaya) (1913)
* The Snowflake (Olga Spesivtseva) (1913)
* Anna Pavlova (1914)
* A Pre-eminent Talent (Mathilda Kshesinskaya) (1914)
* Vain Precautions (Tamara Karsavina) (1915)
* Kseniya Makletsova (1915)
* Moscow and Petrograd (Geltser, Makletsova, et al) (1915)
* Agrippina Vaganova's Farewell Benefit (1916)
* The Testing of a Ballerina (Elena Liukom) (1916)
* Yuliya Sedova's Farewell Benefit (1916)
* Tamara Karsavina (1916)
* Vera Karalli (1916)
* Liubov Egorova's Final Benefit Performance (1917)
* The Classical Dancer (1922)
* Elsa Vill (1922)
* Classical Fouette and Leonardo da Vinci's Contrapposto (1922)
* Giselle and The Little Humpbacked Horse (Elena Liukom) (1922)
* The Animated Flower (1923)
* Ballet's Lily (Elizaveta Gerdt) (1923)
* Kseniya Petrovna Makletsova (1923)
* Elena Liukom (1923)
* Our Moscow Guests (Viktorina Kriger) (1923)
* The Gemstones of Benvenuto Cellini (1923)
* On the Russian Ballet (1923)
* The Fairy of Deer Park (Mathilda Kshesinskaya) (1924)
* List of Illustrations
* Preface
* A Note on the Text
* Acknowledgments
* Introduction: Akim Volynsky's Female Portraits
* PART ONE: BODIES IN SITU
* Russian Women: A Retrospective (1923)
* 1) Amoureuses and Druidesses
* 2) A Belated Druidess (on Lyubov Gurevich)
* 3) The Sylph (on Zinaida Gippius)
* 4) Pandora's Box (on Ida Rubinstein)
* 5) A Bouquet (on Lou Andreas-Salome and others)
* Amor (co-authored with Lou Andreas-Salome, 1897)
* The Mona Lisa (from Volynsky's book: Leonardo da Vinci (1898)
* 1) Nastasya Filippovna (1900)
* 2) The Infernal Woman (Grushenka) (from Volynsky's writings on
Dostoevsky 1901)
* Madonna (Introduction to the Russian edition of Otto Weininger's Sex
and Character, 1909)
* PART TWO: BODIES IN MOTION
* The 'Russkaya' (Ekaterina Geltser) (1912)
* The Young Generation (1912)
* The Dancing of Isadora Duncan (1913)
* The Dancing of Anna Pavlova (1913)
* Three Ballerinas (Pavlova, Preobrazhenskaya, Kshesinskaya) (1913)
* A Legendary Talent (Agrippina Vaganova) (1913)
* The Russian Dancer (1913)
* The Pupil of Mariya Savina (Olga Spesivtsva) (1913)
* The Performances at Krasnoe Selo (1913)
* The Broken Harp (Olga Preobrazhenskaya) (1913)
* The Snowflake (Olga Spesivtseva) (1913)
* Anna Pavlova (1914)
* A Pre-eminent Talent (Mathilda Kshesinskaya) (1914)
* Vain Precautions (Tamara Karsavina) (1915)
* Kseniya Makletsova (1915)
* Moscow and Petrograd (Geltser, Makletsova, et al) (1915)
* Agrippina Vaganova's Farewell Benefit (1916)
* The Testing of a Ballerina (Elena Liukom) (1916)
* Yuliya Sedova's Farewell Benefit (1916)
* Tamara Karsavina (1916)
* Vera Karalli (1916)
* Liubov Egorova's Final Benefit Performance (1917)
* The Classical Dancer (1922)
* Elsa Vill (1922)
* Classical Fouette and Leonardo da Vinci's Contrapposto (1922)
* Giselle and The Little Humpbacked Horse (Elena Liukom) (1922)
* The Animated Flower (1923)
* Ballet's Lily (Elizaveta Gerdt) (1923)
* Kseniya Petrovna Makletsova (1923)
* Elena Liukom (1923)
* Our Moscow Guests (Viktorina Kriger) (1923)
* The Gemstones of Benvenuto Cellini (1923)
* On the Russian Ballet (1923)
* The Fairy of Deer Park (Mathilda Kshesinskaya) (1924)
* Preface
* A Note on the Text
* Acknowledgments
* Introduction: Akim Volynsky's Female Portraits
* PART ONE: BODIES IN SITU
* Russian Women: A Retrospective (1923)
* 1) Amoureuses and Druidesses
* 2) A Belated Druidess (on Lyubov Gurevich)
* 3) The Sylph (on Zinaida Gippius)
* 4) Pandora's Box (on Ida Rubinstein)
* 5) A Bouquet (on Lou Andreas-Salome and others)
* Amor (co-authored with Lou Andreas-Salome, 1897)
* The Mona Lisa (from Volynsky's book: Leonardo da Vinci (1898)
* 1) Nastasya Filippovna (1900)
* 2) The Infernal Woman (Grushenka) (from Volynsky's writings on
Dostoevsky 1901)
* Madonna (Introduction to the Russian edition of Otto Weininger's Sex
and Character, 1909)
* PART TWO: BODIES IN MOTION
* The 'Russkaya' (Ekaterina Geltser) (1912)
* The Young Generation (1912)
* The Dancing of Isadora Duncan (1913)
* The Dancing of Anna Pavlova (1913)
* Three Ballerinas (Pavlova, Preobrazhenskaya, Kshesinskaya) (1913)
* A Legendary Talent (Agrippina Vaganova) (1913)
* The Russian Dancer (1913)
* The Pupil of Mariya Savina (Olga Spesivtsva) (1913)
* The Performances at Krasnoe Selo (1913)
* The Broken Harp (Olga Preobrazhenskaya) (1913)
* The Snowflake (Olga Spesivtseva) (1913)
* Anna Pavlova (1914)
* A Pre-eminent Talent (Mathilda Kshesinskaya) (1914)
* Vain Precautions (Tamara Karsavina) (1915)
* Kseniya Makletsova (1915)
* Moscow and Petrograd (Geltser, Makletsova, et al) (1915)
* Agrippina Vaganova's Farewell Benefit (1916)
* The Testing of a Ballerina (Elena Liukom) (1916)
* Yuliya Sedova's Farewell Benefit (1916)
* Tamara Karsavina (1916)
* Vera Karalli (1916)
* Liubov Egorova's Final Benefit Performance (1917)
* The Classical Dancer (1922)
* Elsa Vill (1922)
* Classical Fouette and Leonardo da Vinci's Contrapposto (1922)
* Giselle and The Little Humpbacked Horse (Elena Liukom) (1922)
* The Animated Flower (1923)
* Ballet's Lily (Elizaveta Gerdt) (1923)
* Kseniya Petrovna Makletsova (1923)
* Elena Liukom (1923)
* Our Moscow Guests (Viktorina Kriger) (1923)
* The Gemstones of Benvenuto Cellini (1923)
* On the Russian Ballet (1923)
* The Fairy of Deer Park (Mathilda Kshesinskaya) (1924)