Anecdotal Evidence reveals the deep intertwining of history and ecology in culture, extending to the infrastructure of streaming video media and mass image databases. An original take on Anthropocene anxieties and technological paranoia, the book proposes that the digital humanities still need the traditional skills of close reading to understand our contemporary condition.
Anecdotal Evidence reveals the deep intertwining of history and ecology in culture, extending to the infrastructure of streaming video media and mass image databases. An original take on Anthropocene anxieties and technological paranoia, the book proposes that the digital humanities still need the traditional skills of close reading to understand our contemporary condition.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sean Cubitt is Professor of Screen Studies at the University of Melbourne. His publications include The Cinema Effect (2004), EcoMedia (2005), The Practice of Light (2014), and Finite Media: Environmental Implications of Digital Technologies (2017). He is a co-editor of The Ecocinema Reader: Theory and Practice (2012) and of Ecomedia: Key Issues (2015). A member of the editorial boards of leading journals arts including Screen, Cultural Politics, Animation and MIRAJ: The Moving Image Review and Art Journal, he is series editor for Leonardo Books.
Inhaltsangabe
Introduction Section 1: Ecocritique and Anecdote Section 2: Ecocritique, Popular Cinema, and the Global Financial Crisis 2.1 Rango and appearance 2.2 A Glitch in time: Déjà Vu 2.3 Becoming human: Iron Man 2 2.4 Otherwise than human: Oblivion 2.5 The Non-identical world: Source Code 2.6 Those Dying Generations: No Country for Old Men 2.7 Hope in Children of Men and Serenity 2.8 Posthumous Media: The Voyager Animations Section 3: Ecocritique, Anecdote, and the Mass Image Part 1: Making the Mass Image Part 2: Remaking the Mass Image References Index
Introduction Section 1: Ecocritique and Anecdote Section 2: Ecocritique, Popular Cinema, and the Global Financial Crisis 2.1 Rango and appearance 2.2 A Glitch in time: Déjà Vu 2.3 Becoming human: Iron Man 2 2.4 Otherwise than human: Oblivion 2.5 The Non-identical world: Source Code 2.6 Those Dying Generations: No Country for Old Men 2.7 Hope in Children of Men and Serenity 2.8 Posthumous Media: The Voyager Animations Section 3: Ecocritique, Anecdote, and the Mass Image Part 1: Making the Mass Image Part 2: Remaking the Mass Image References Index
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