Anglo-American
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For the first time, a distinguished line-up of scholars from bothAmerica and the UK consider the complex history of artisticrelations between Britain and the USA, covering the years from thecolonial period to the 1960s.
For the first time, a set of distinguished American and British arthistorians consider the complex history of Anglo-American relationsfrom the colonial period through to the 1960s
Features a transatlantic group of scholars considering theimpact of this relationship on the history of art in bothnations
Offers a set of new approaches, and much new material relatingto the…mehr

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Produktbeschreibung
For the first time, a distinguished line-up of scholars from bothAmerica and the UK consider the complex history of artisticrelations between Britain and the USA, covering the years from thecolonial period to the 1960s.
For the first time, a set of distinguished American and British arthistorians consider the complex history of Anglo-American relationsfrom the colonial period through to the 1960s

Features a transatlantic group of scholars considering theimpact of this relationship on the history of art in bothnations

Offers a set of new approaches, and much new material relatingto the history of British and American art

Situates the history of British and American art in thecontext of recent scholarship, offering a new reading of this keyartistic interaction
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Autorenporträt
David Peters Corbett is Professor of Art History and American Studies at the University of East Anglia, and Editor of Art History. He has written widely on English and American art between 1850 and 1950, and has published most recently on the Ashcan School and on the problem of the past in the work of Charles Sheeler. Sarah Monks is Lecturer in Art History in the School of World Art Studies and Museology at the University of East Anglia. The author of Marine Painting in Britain, 1650-1850, and co-editor of Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848, both forthcoming, she is currently working on a new book project concerning the relationship between British art and global commerce, experience and imperial ideology during the eighteenth century.