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Animal Eye employs pastoral motifs to engage a discourse on life and love, as Coal Hill Review states "It is as if a scientist is at work in the basement of the museum of natural history, building a diorama of an entire ecosystem via words. She seems not only interested in using the natural world as a metaphoric lens in her poems but is set on building them item by item into natural worlds themselves." Winner of the 2013 Rilke Prize from the University of North Texas Voted one of the five best poetry collections for 2012 by Publishers Weekly

Produktbeschreibung
Animal Eye employs pastoral motifs to engage a discourse on life and love, as Coal Hill Review states "It is as if a scientist is at work in the basement of the museum of natural history, building a diorama of an entire ecosystem via words. She seems not only interested in using the natural world as a metaphoric lens in her poems but is set on building them item by item into natural worlds themselves." Winner of the 2013 Rilke Prize from the University of North Texas Voted one of the five best poetry collections for 2012 by Publishers Weekly
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Autorenporträt
Paisley Rekdal is associate professor of English at the University of Utah. She is the author of three previous poetry collections: The Invention of the Kaleidoscope, A Crash of Rhinos, and Six Girls Without Pants, as well as a book of essays, The Night My Mother Met Bruce Lee. She is the recipient of the Village Voice Writers on the Verge Award, the University of Georgia Press Contemporary Poetry Series Award, an NEA Fellowship, a Fulbright Fellowship, the Laurence Goldstein Poetry Prize from Michigan Quarterly Review, and the 2011Ð2012 Amy Lowell Poetry Traveling Scholarship.