The theme of the three stories that make up John Fraser's brilliant new literary tour de force 'Animal Tales' is sacrifice. Sacrifice for others, for those close to one, or as a once-religious, generalised act. The context is a nature 'personalised' in the form of its animals - animals as the screen on which humans project their aspirations and their failures. In the first tale, the female protagonist suffers a series of disappointments - in her art, her civilisation, and the violation of her body. There remains for her only the self-denial and cleansing of consumption by an animal. In 'The…mehr
The theme of the three stories that make up John Fraser's brilliant new literary tour de force 'Animal Tales' is sacrifice. Sacrifice for others, for those close to one, or as a once-religious, generalised act. The context is a nature 'personalised' in the form of its animals - animals as the screen on which humans project their aspirations and their failures. In the first tale, the female protagonist suffers a series of disappointments - in her art, her civilisation, and the violation of her body. There remains for her only the self-denial and cleansing of consumption by an animal. In 'The White Room', the hero betrays trusts and friendships, culminating in the seduction of his friend's wife. The gift of an animal seems to unload the guilt and treachery on to the beast itself. The Guardians are the fantastic terra cotta animals that guard Chinese tombs. A powerful boss tries to salve his soul through a deal with nature. Only the lifeless guardian statues hide the void, however. The living animals are let down - along with the humans themselves.
John Fraser has lived near Rome since 1980. Previously, he worked in England and Canada.Of Fraser's fiction the Whitbread Award winning poet John Fuller has written:'One of the most extraordinary publishing events of the past few years has been the rapid, indeed insistent, appearance of the novels of John Fraser. There are few parallels in literary history to this almost simultaneous and largely belated appearance of a mature ¿uvre, sprung like Athena from Zeus's forehead; and the novels in themselves are extraordinary. I can think of nothing much like them in fiction. Fraser maintains a masterfully ironic distance from the extreme conditions in which his characters find themselves. There are strikingly beautiful descriptions, veiled allusions to rooted traditions, unlikely events half-glimpsed, abrupted narratives, surreal but somehow apposite social customs.'
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