Provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. This title offers a collection of reanimates and expands film studies by taking the concept of animation seriously.
Provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. This title offers a collection of reanimates and expands film studies by taking the concept of animation seriously.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Karen Redrobe (formerly Beckman) is the Elliot and Roslyn Jaffe Professor of Cinema and Modern Media in the Department of the History of Art at the University of Pennsylvania. She is the author of Crash: Cinema and the Politics of Speed and Stasis and Vanishing Women: Magic, Film, and Feminism and coeditor (with Jean Ma) of Still Moving: Between Cinema and Photography , all also published by Duke University Press.
Inhaltsangabe
Acknowledgments ix Animating Film Theory: An Introduction / Karen Beckman 1 Part I: Time and Space 1. Animation and History / Esther Leslie 25 2. Animating the Instant: The Secret Symmetry between Animation and Photography / Tom Gunning 37 3. Polygraphic Photography and the Origins of 3-D Animation / Alexander G. Galloway 54 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling / Oliver Gaycken 68 Part II. Cinema and Animation 5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms / Hervé Joubert-Laurencin; Translated by Lucy Swanson 85 6. "First Principles" of Animation / Alan Cholodenko 98 7. Animation, in Theory / Susanne Buchan 111 Part III: The Experiment 8. Film as Experiment in Animation: Are Films Experiments on Human Beings? / Gertrud Koch; Translated by Daniel Hendrickson 131 9. Frame Shot: Vertov's Ideologies of Animation / Mihaela Mihailova and John MacKay 145 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line / Andrew R. Johnston 167 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin / Yuriko Furuhata 181 12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s / Tess Takahashi 201 Part IV: Animation and the World 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography / Thomas LaMarre 221 14. African American Representation through the Combination of Live Action and Animation / Christopher P. Lehman 252 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater / Bishnupriya Ghosh 264 16. Realism in the Animation Media Environment: Animation Theory from Japan / Marc Steinberg 287 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine / Scott Bukatman 301 Bibliography 317 Contributors 337 Index 343
Acknowledgments ix Animating Film Theory: An Introduction / Karen Beckman 1 Part I: Time and Space 1. Animation and History / Esther Leslie 25 2. Animating the Instant: The Secret Symmetry between Animation and Photography / Tom Gunning 37 3. Polygraphic Photography and the Origins of 3-D Animation / Alexander G. Galloway 54 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling / Oliver Gaycken 68 Part II. Cinema and Animation 5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms / Hervé Joubert-Laurencin; Translated by Lucy Swanson 85 6. "First Principles" of Animation / Alan Cholodenko 98 7. Animation, in Theory / Susanne Buchan 111 Part III: The Experiment 8. Film as Experiment in Animation: Are Films Experiments on Human Beings? / Gertrud Koch; Translated by Daniel Hendrickson 131 9. Frame Shot: Vertov's Ideologies of Animation / Mihaela Mihailova and John MacKay 145 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line / Andrew R. Johnston 167 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin / Yuriko Furuhata 181 12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s / Tess Takahashi 201 Part IV: Animation and the World 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography / Thomas LaMarre 221 14. African American Representation through the Combination of Live Action and Animation / Christopher P. Lehman 252 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater / Bishnupriya Ghosh 264 16. Realism in the Animation Media Environment: Animation Theory from Japan / Marc Steinberg 287 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine / Scott Bukatman 301 Bibliography 317 Contributors 337 Index 343
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