Focusing on artists and art collectives in Argentina, Mexico, and the United States, Jennifer Ponce de Leà n examines how experimental artistic practices in the visual, literary, and performing arts have been influenced by and articulated with leftist politics, popular uprisings, and social struggles that resist neoliberal capitalism.
Focusing on artists and art collectives in Argentina, Mexico, and the United States, Jennifer Ponce de Leà n examines how experimental artistic practices in the visual, literary, and performing arts have been influenced by and articulated with leftist politics, popular uprisings, and social struggles that resist neoliberal capitalism.
Jennifer Ponce de León is Assistant Professor of English at the University of Pennsylvania.
Inhaltsangabe
Acknowledgments ix Introduction 1 1. Through an Anticolonial Looking Glass 29 2. Historiographers of the Invisible 80 3. Reframing Violence and Justice: Human Rights and Class Warfare 126 4. State Theater, Security, T/Errorism 192 Conclusion: Another Aesthetics—Another Politics—Is Possible 247 Notes 251 Bibliography 279 Index 303
Acknowledgments ix Introduction 1 1. Through an Anticolonial Looking Glass 29 2. Historiographers of the Invisible 80 3. Reframing Violence and Justice: Human Rights and Class Warfare 126 4. State Theater, Security, T/Errorism 192 Conclusion: Another Aesthetics—Another Politics—Is Possible 247 Notes 251 Bibliography 279 Index 303
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