Antígonas rethinks the paradigms through which we understand the presence of ancient cultural materials in former colonial territories by analysing the reimagination if the Antigone myth in the theatres of Latin America.
Antígonas rethinks the paradigms through which we understand the presence of ancient cultural materials in former colonial territories by analysing the reimagination if the Antigone myth in the theatres of Latin America.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Moira Fradinger is an Associate Professor in the Department of Comparative Literature at Yale University. She works on South American, Caribbean and European fiction and film; Anti-colonial and decolonial thought; classics in Latin America and the Caribbean; psychoanalytic theory, and gender studies. Fradinger recently translated six 20th-century Latin American vernacular Antigona plays into English. She is the author of Binding Violence: Literary Visions of Political Origins (2010).
Inhaltsangabe
* Introduction: Our América, Our Antígona * Overture: Antigone's Death, Antígona's Birth: Juan Cruz Varela's 1824 Argia * 1: "To Govern Is to Populate": Leopoldo Marechal's 1951 Antígona Vélez * 2: For the People, By the People, With the People: Félix Morisseau-Leroy's 1953 Vodou Antigòn an Kreyòl * 3: Brazil's Exposed Corpses: Jorge Andrade's 1957 Pedreira das almas and 1969 As Confrarias * 4: One Hundred Years of Puerto Rican Solitude: Luis Rafael Sánchez's 1968 Antígona Pérez * 5: By Way of Interlude: The Dynamics and Innovations of the Corpus in Lesser-Known Mid-Century Plays * 6: The Incorruptible: Griselda Gambaro's 1986 Antígona Furiosa * 7: Revolutionary Shame in the Year 2000: Yuyachkani's and Watanabe's Peruvian Ismene * 8: Finale: We Are All Antígonas on the Twenty-First-Century Stage * Appendix: List and Diagram of Plays: Earliest Bibliographic Information Available
* Introduction: Our América, Our Antígona * Overture: Antigone's Death, Antígona's Birth: Juan Cruz Varela's 1824 Argia * 1: "To Govern Is to Populate": Leopoldo Marechal's 1951 Antígona Vélez * 2: For the People, By the People, With the People: Félix Morisseau-Leroy's 1953 Vodou Antigòn an Kreyòl * 3: Brazil's Exposed Corpses: Jorge Andrade's 1957 Pedreira das almas and 1969 As Confrarias * 4: One Hundred Years of Puerto Rican Solitude: Luis Rafael Sánchez's 1968 Antígona Pérez * 5: By Way of Interlude: The Dynamics and Innovations of the Corpus in Lesser-Known Mid-Century Plays * 6: The Incorruptible: Griselda Gambaro's 1986 Antígona Furiosa * 7: Revolutionary Shame in the Year 2000: Yuyachkani's and Watanabe's Peruvian Ismene * 8: Finale: We Are All Antígonas on the Twenty-First-Century Stage * Appendix: List and Diagram of Plays: Earliest Bibliographic Information Available
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