Bryan Simms, Timothy Roden, Craig Wright

Anthology for Music in Western Civilization: Volume C: Romanticism to the Present

• Broschiertes Buch

Produktbeschreibung

The perfect companion to MUSIC IN WESTERN CIVILIZATION! With an introduction to, a score for, and lyrics and translation for each piece, ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION, VOLUME C: ROMANTICISM TO THE PRESENT enhances your understanding of the major European styles, genres, and composers.

Produktdetails

• Verlag: Cengage Learning EMEA
• Seitenzahl: 400
• Erscheinungstermin: Juli 2005
• Englisch
• Abmessung: 276mm x 218mm x 26mm
• Gewicht: 1538g
• ISBN-13: 9780495008941
• ISBN-10: 049500894X
• Artikelnr.: 15001133

Autorenporträt

Timothy J. Roden (Bachelor of Music, Houghton College, 1980; Ph.D., Northwestern University, 1992) teaches music history, world music, survey of music literature, and music appreciation at Ohio Wesleyan University. He received grants from Northwestern University and the Deutscher Akademischer Austauschdienst that allowed him to complete research in Berlin, Germany, on German orchestral lieder. He has contributed an article on Schumann's lieder to the NATS Journal, is preparing an edition of orchestral lieder for a scholarly press, and has prepared ancillaries to accompany Wright's LISTENING TO MUSIC (Thomson-Schirmer).

Inhaltsangabe

PART VI: ROMANTICISM.52. Franz Schubert.Schubert, ERLK NIG. Schubert, GANYMED. Schubert, N HE DES GELIEBTEN.53. Music in Paris Under Louis Philippe: Berlioz and Chopin.Berlioz, SYMPHONIE FANTASTIQUE, 4th mvt. Berlioz, Absence" from LES NUITS D'' T . Chopin, Nocturne in D-flat major.54. Leipzig and the Gewandhaus: Mendelssohn and the Schumanns.Mendelssohn, Piano Trio in D minor, 1st mvt. Robert Schumann, Symphony No. 1, 2nd mvt. Clara Schumann, LIEBST DU UM SCH NHEIT.55. German Opera in the Nineteenth Century: Weber and Wagner.Weber, DER FREISCH TZ, Wolf''s Glen Scene. Wagner, DAS RHEINGOLD, Entrance of the Gods into Valhalla.56. Opera in Italy: Rossini and Verdi.Rossini, THE BARBER OF SEVILLE, Act 1, No. 1. Verdi, OTELLO, Act IV, Sc. 3.57. Nationalism and Virtuosity: Franz Liszt.Liszt, HUNGARIAN RHAPSODY No. 15 (R K CZY MARCH).58. Vienna in the Late Nineteenth Century: Brahms and Bruckner.Brahms, Symphony No. 3, 1st mvt. Brahms, FELDEINSAMKEIT. Bruckner, CHRISTUS FACTUS EST.59. Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky.Mussorgsky, SUNLESS, "Within Four Walls." Tchaikovsky, NUTCRACKER, Act 1, No. 8.60. Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler.Gustav Mahler, Symphony No. 5, 4th mvt. Gustav Mahler, "Um Mittnernacht." Alma Mahler, "Die stille Stadt."61. England at the End of the Romantic Period: Elgar and Vaughan Williams.Elgar, ENIGMA Variations, theme and 9th variation ("Nimrod").62. Opera in Milan After Verdi: Puccini, Toscanini, and Verismo.Puccini, MADAMA BUTTERFLY, "Dovunque al mondo."63. Paris of the Belle poque: Debussy, Faur , and Lili Boulanger.Debussy, F TES GALANTES I, "En sourdine."Debussy, IMAGES I, "Reflets dans l''eau."Debussy, NOCTURNES, "Nuages."Faur , Dans la for t de septembre.Boulanger, CLAIRI RES DANS LE CIEL, "Elle est gravement gaie."PART VII: THE EARLY TWENTIETH CENTURY.64. Richard Strauss in Berlin.Strauss, SALOME, concluding scene.65. Music in Russia During the Silver Age: Igor Stravinsky.Stravinsky, THE RITE OF SPRING, "Procession of the Sage," "The Sage," "Dance of the Earth."66. Atonality: Schoenberg and Scriabin.Schoenberg, Piano Piece, Op. 11, No. 1. Schoenberg, PIERROT LUNAIRE, "Nacht." Scriabin, Piano Prelude, Op. 74, No. 5.67. French Music at the Time of World War I: Ravel and Satie.Ravel, LE TOMBEAU DE COUPERIN, "Rigaudon." Satie, Sarabande No. 2.68. Music in Paris After World War I: Stravinsky and the Six.Stravinsky, Octet, 1st mvt. Milhaud, SAUDADES DE BRAZIL, "Botofago."69. Vienna in the Aftermath of War: Twelve-Tone Methods.Schoenberg, String Quartet No. 4, 1st mvt. Webern, Symphony, 2nd mvt.70. Musical Theater in Germany in the 1920s: Berg and Weill.Berg, WOZZECK, Act 3, Sc. 2. Weill, THE THREEPENNY OPERA, "Ballad of Mack the Knife."71. B la Bart k and Hungarian Folk Music.Bart k, EIGHT HUNGARIAN FOLK SONGS, "Fekete f d." Bart k, Concerto for Orchestra, 1st mvt.72. Early Jazz.Joplin, "Maple Leaf Rag."73. Paul Hindemith and Music in Nazi Germany.Hindemith, MATHIS DER MALER, Sc. 6, Entrance 3.74. Music in Soviet Russia: Prokofiev and Shostakovich.Prokofiev, Piano Sonata No. 7, 3rd mvt. Shostakovich, Piano Concerto No. 1, 1st mvt.75. Self-Reliance in American Music: Ives, Seeger, Nancarrow.Ives, "Feldeinsamkeit." Ives, "Charlie Rutlage." Ives, THE UNANSWERED QUESTION. Seeger, String Quartet, 2nd mvt.76. American Composers Return from Europe: Copland and Barber.Copland, Piano Variations. Copland, APPALACIAN SPRING, "Variations on a Shaker Hymn." Barber, HERMIT SONGS, "Sea-Snatch."77. Tin Pan Alley and the Broadway Musical.Gershwin, "The Man I Love." Rodgers and Hammerstein, OKLAHOMA! "I Cain''t Say No." Bernstein, WEST SIDE STORY, "Cool."PART VIII: CONTEMPORARY MUSIC.78. Reflections on War: Britten, Penderecki, and Others.Britten, WAR REQUIEM, Agnus Dei. Penderecki, THRENODY FOR THE VICTIMS OF HIROSHIMA.79. Twelve-Tone Music and Serialism After World War II.Babbitt, Composition for Piano No. 1. Stravinsky, AGON, Bransle Double. Boulez, LE MARTEAU SANS MA TRE, "L''artisanat furieux."80. Alternatives to Serialism: Chance, Electronics, Textures.Cage, MUSIC OF CHANGES, Part 1. Var se, PO ME LECTRONIQUE. Messiaen, "Mode de valeurs et d''intensit s."82. Music in the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations.Berio, CIRCLES, "Stinging Gold Swarms." Crumb, ANCIENT VOICES OF CHILDREN, " De donde vienes?" Carter, String Quartet No. 2, Introduction and 1st mvt. Reich, CLAPPING MUSIC.83. Returning to the Known: Music of the Recent Past.Ligeti, HUNGARIAN ROCK. Adams, NIXON IN CHINA, "News." Tower, FANFARE FOR THE UNCOMMON WOMAN. P rt, BERLIN MASS, CREDO."