Anthony and Cleopatra - Shakespeare, William
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A substantial critical section examines how the technique of the play - its deliberate frustrations of expectation, its carefully constructed tensions between rhetoric and action, and its daring exploitation of bathos and anti-climax - may have contributed to the sense of disappointment which colours so many accounts of performance. The editor argues that such effects are structural to the paradoxical vision of this tragedy and to its disturbed preoccupation with the unstable boundaries of gender and identity. The text has been freshly edited in accordance with the principles of the series,…mehr

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Produktbeschreibung
A substantial critical section examines how the technique of the play - its deliberate frustrations of expectation, its carefully constructed tensions between rhetoric and action, and its daring exploitation of bathos and anti-climax - may have contributed to the sense of disappointment which colours so many accounts of performance. The editor argues that such effects are structural to the paradoxical vision of this tragedy and to its disturbed preoccupation with the unstable boundaries of gender and identity. The text has been freshly edited in accordance with the principles of the series, and the extensive commentary is attentive to the theatrical dimensions of the play as well as to the rich complexity of its poetic language.
The latest entry in the Oxford Shakespeare presents a newly edited text of the most formally ambitious and poetically brilliant of Shakespeare's tragedies. Always alert to the play's theatricality and boldly experimental design, the extensive introduction offers a fresh critical account of the play, exploring its paradoxical treatment of gender and identity.
Autorenporträt
Michael Neill is Associate Professor of English at Aukland University.
William Shakespeare
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