Though Anthony Caro's oeuvre is most readily identified by large-scale and plinthless sculptures that sometimes dwarf the viewer, he has directed a significant portion of his energies over the past five decades to the production of domestically sized pieces in a variety of media. This volume explores this underappreciated course of Caro's prolific output, covering: Table Sculptures (including 'Writing Pieces'), Lead and Wood Sculptures, Paper Sculptures, Ceiling Pieces, Wall Pieces, Silver Pieces, Bronze Pieces, Ceramic Sculptures, and Jewelry. It provides an insight into Caro's working practice by considering the scale, the setting and the materials of Caro's small-scale sculpture.
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