The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.
The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments vii Introduction / Ramyar D. Rossoukh and Steven C. Caton 1 1. “English is So Precise and Hindi Can be So Heavy!”: Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti 41 2. The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh 63 3. Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim 89 4. “This is Not a Film”: Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek 109 5. “This Most Reluctant of Romantic Cities”: Dis-location Film Shooting in the Old City of Sana’a / Steven C. Caton 129 6. Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin 163 7. Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson 181 8. The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer 213 References 243 Contributors 267 Index 269
Acknowledgments vii Introduction / Ramyar D. Rossoukh and Steven C. Caton 1 1. “English is So Precise and Hindi Can be So Heavy!”: Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti 41 2. The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh 63 3. Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim 89 4. “This is Not a Film”: Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek 109 5. “This Most Reluctant of Romantic Cities”: Dis-location Film Shooting in the Old City of Sana’a / Steven C. Caton 129 6. Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin 163 7. Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson 181 8. The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer 213 References 243 Contributors 267 Index 269
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