Introduction: the legs of sense Part I. Dialogue and Inscription: 1. Othello, Bakhtin and the death(s) of dialogue 2. P.s.: Plato's scene of reading in the Protagoras Part II. Parables of Exteriority - Materality in 'Classic' American Texts: 3. Too legit to quit: the dubious genealogies of pragmatism 4. Poe's Foot d'Or: ruinous rhyme and Nietzschean recurrence (sound) 5. Only the dead know Brooklyn ferry (voice) 6. The letters of the law: 'Bartleby' as hypogrammatic romance (letters) Part III. Pre-Posterous Modernisms: 7. Conrad's fault (signature) 8. Miss Emily, c'est moi: the defacement of modernism in Faulkner (inscription and social form) 9. Hitchcock and the death of (Mr.) Memory (technology of the visible) Coda: post-humanist reading.
Introduction: the legs of sense Part I. Dialogue and Inscription: 1. Othello, Bakhtin and the death(s) of dialogue 2. P.s.: Plato's scene of reading in the Protagoras Part II. Parables of Exteriority - Materality in 'Classic' American Texts: 3. Too legit to quit: the dubious genealogies of pragmatism 4. Poe's Foot d'Or: ruinous rhyme and Nietzschean recurrence (sound) 5. Only the dead know Brooklyn ferry (voice) 6. The letters of the law: 'Bartleby' as hypogrammatic romance (letters) Part III. Pre-Posterous Modernisms: 7. Conrad's fault (signature) 8. Miss Emily, c'est moi: the defacement of modernism in Faulkner (inscription and social form) 9. Hitchcock and the death of (Mr.) Memory (technology of the visible) Coda: post-humanist reading.
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