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Examines how African American jazz music was received in Germany both as a racial and cultural threat and as a partner in promoting the rise of Nazi totalitarian cultural politics.

Produktbeschreibung
Examines how African American jazz music was received in Germany both as a racial and cultural threat and as a partner in promoting the rise of Nazi totalitarian cultural politics.
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Autorenporträt
Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka's Blues: Figurations of Racial Blackness in the Construction of an Aesthetic.